SOUND ON SOUND
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Writing the words to songs is often thought of as a process of pure intuition, but there's a lot more to it than that. In the first part of a new series, Sam Inglis suggests an alternative way of going about it.
Martin Walker finds out what's new in Windows Millennium edition and explores the latest version of Native Instruments' Pro-five VST Instrument, renamed the Pro52.
VST Instruments can create a huge variety of sounds from the comfort of your MIDI + Audio sequencer, but can also be asource of confusion for many computer users. Martin Walker answers the most common questions, and provides advice about automation, timing, and sound quality.
Paul White cruises down memory lane in style, with the bargain-priced M-Tron Mellotron soundalike VST Instrument plug-in.
Paul White looks at the latest addition to Mackie's compact mixer range.
Bucking the trend for elaborate 'virtual studio' graphic interfaces and bloated feature sets, Making Waves is designed to allow you to get into making music quickly and straightforwardly, on even a modestly specified PC. John Walden puts it through its paces.
Nicholas Rowland tries out the new features in MOTU's ever-evolving flagship Macintosh sequencing package.
Can an Englishman's home be both his castle and his studio — or is it better to keep business and pleasure apart? Jay Kay of Jamiroquai clearly feels that building his own facility has paid off. Sue Sillitoe heads for his Chillington studio in Buckinghamshire to find out more...
Sound On Sound's May 2000 SAE/MPG competition offered readers the chance to win a recording session in a London studio with a top producer. Tom Flint talked to the lucky winners about the recording of their demo — and to producer Steve Levine, who took on the job of transforming it into a potential chart-topper.
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In the first part of a two-part series, Gordon Reid charts the rise of EMS and their creation of the world's first self-...
Paul White boldy goes where no man has been B4!
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Nemesys' Gigasampler proved that a fast PC could compete with the latest hardware samplers, and provided some features they simply couldn't match — such as sampled instruments many gigabytes in size. Now the company has updated the range to include two new products. Martin Walker asks if rackmount samplers have finally met their Nemesys...
Paul White might have more voice channels than he can find voices, but after using the new SPL Channel One, he gets the overwhelming urge to add another one to his armoury.
In their eagerly-awaited new flagship synth, Roland have harked back to the sampling technology of their respected S-series samplers, as well as adding some contemporary touches to equip it for the 21st century. Gordon Reid assesses past, present and future.
Yamaha's new budget phrase sampler is designed to allow rapid creation of phrase- and loop-based music. Derek Johnson & Debbie Poyser put it to the test.
Derek Johnson tries out a new multi-port USB MIDI interface that's also designed to allow connection of serial-port gear.
This special November 2000 edition includes a 32-page supplement looking back over those early days, making this this the biggest SOS of all time. Selected leaders, highlights, and advertisements reveal how the hi-tech music recording field has evolved and how expectations (and prices) have radically changed through the years...