SOUND ON SOUND
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Paul White reveals how to create rhythmic gate effects, both using conventional hardware and MIDI Controller information.
Martin Russ brings you the latest news direct from an Apple R&D gathering, and takes a set of Allen keys to some expensive digital audio hardware.
Paul White reveals a few of the less well-trodden paths hidden within your mixer's routing system.
ART have followed up their single-channel Tube MP valve mic preamp by developing two more tube designs for both the project studio owner and the audio professional. Paul White huddles round to warm his signals...
Building on their US reputation, Audix mics are now available in the UK. Paul White takes a listen.
Effects units continue to drop in price while offering more and more features. Digitech's new Studio Twin costs less than £250, but still offers a dual effects mode and MIDI patch control. Paul White is agog.
Axe devotees may be surprised to learn that Marshall released this little-known digital effects processor last year. Paul White gets in his annual half-hour's guitar practise, and finds an overlooked unit worthy of some consideration...
Mackie's enormously successful 1604 and 1202 mixers have inspired a fleet of imitations, all keen to get a slice of the action. Sound Engineer Steve Brodie checks out Peavey's take on the compact mixer concept...
Roland once stated that they would never bring out a follow-up to their now terminally trendy TB303 Bassline. However, the success of other manufacturers' TB clones and the inflated price of the original have made them think again. Derek Johnson and Debbie Poyser are proud to present the UK's first in-depth review of the new MC303.
Is it a Filofax? Is it a Stylophone? No... it's Roland's answer to Yamaha's portable music Walkstation family. Faster than a speeding bullet, Derek Johnson and Debbie Poyser apply their X-ray vision to the new PMA5.
This sophisticated new digital editor is up against such established software as Sound Forge and Samplitude Studio. Janet Harniman-Cook assesses whether Steinberg have built on their status in the sequencer field with a successful PC wave editing program.
Tascam revolutionised home recording with their cassette-based Portastudio, but haven't yet offered a budget digital version to compete with the Fostex DMT8/D80 and Roland VS880. Now their 4-track MiniDisc-based 564 is almost ready. Paul White gets a sneak preview...
Can Tascam's lean, mean DA38 offer musicians more functionality than the portlier DA88 without compromising on quality — and give the Alesis ADAT XT a run for its money? Paul White investigates.
The M2000 takes much of the technology behind its Danish manufacturer's professional flagship, the M5000, and re-packages it with less flexibility but a much lower price tag. Paul White finds out whether it's barking up the right tree.
This is the smallest and least costly reverb unit Alesis have ever produced. Paul White finds out whether you can mind the quality and still feel the width!
Paul White casts a critical ear over TL Audio's new budget dual-channel valve equalisers to see if high quality really is possible at such a relatively low price.
True, the name harks back to the CS-series synths of the '70s and '80s, but with their new CS1x, Yamaha definitely have their eyes set on the future. Critics Derek Johnson and Debbie Poyser analyse Yamaha's blue period...
In this second article on digital music production, Clive Williamson looks at how musicians can use computer technology to get their work from a DAT tape to the final product — the CD.
With a new studio album set to take their unique brand of instrumental music to the top of the charts, Ozric Tentacles are arguably the most successful truly independent band in the UK today. Jonathan Miller met leader Ed Wynne at their Somerset studio.