Search

Have you ever wished you could create strange, ethereal textures like the ones you hear on the best sample CDs? Paul White shows that it's not as difficult as it might seem.

Martin Russ brings you the latest news direct from an Apple R&D gathering, and takes a set of Allen keys to some expensive digital audio hardware.

ART have followed up their single-channel Tube MP valve mic preamp by developing two more tube designs for both the project studio owner and the audio professional. Paul White huddles round to warm his signals...

With its flexible, professional sound design tools and moderate price, Peak fills a gap in the Mac digital sound editing arena. Paul D. Lehrman gets some peak practice...

Axe devotees may be surprised to learn that Marshall released this little-known digital effects processor last year. Paul White gets in his annual half-hour's guitar practise, and finds an overlooked unit worthy of some consideration...

Roland once stated that they would never bring out a follow-up to their now terminally trendy TB303 Bassline. However, the success of other manufacturers' TB clones and the inflated price of the original have made them think again. Derek Johnson and Debbie Poyser are proud to present the UK's first in-depth review of the new MC303.

This sophisticated new digital editor is up against such established software as Sound Forge and Samplitude Studio. Janet Harniman-Cook assesses whether Steinberg have built on their status in the sequencer field with a successful PC wave editing program.

Can Tascam's lean, mean DA38 offer musicians more functionality than the portlier DA88 without compromising on quality — and give the Alesis ADAT XT a run for its money? Paul White investigates.

This is the smallest and least costly reverb unit Alesis have ever produced. Paul White finds out whether you can mind the quality and still feel the width!