SOUND ON SOUND
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First observed by the SOS team at the bottom of an aquarium at this year's Frankfurt Musikmesse, Spirit by Soundcraft's new Folio SX mixer has now arrived. Paul White dries it off and removes the goldfish droppings from the insert points.
This year's show-stealer at Frankfurt's Musik Messe, Steinberg's Cubase VST isn't just another 'MIDI plus Audio' sequencer — it adds the effects and processing options hitherto only available in expensive TDM systems, for the same price as the previous, non-audio version of Cubase. Is this the perfect desktop recording environment? Derek Johnson and Debbie Poyser find out.
With prices for an original Roland TB303 as high as £1000 on the open market, it is unsurprising that the last two years have seen a number of manufacturers attempting to emulate the 303 in a cheaper, MIDI'd form. Martin Russ checks out the latest pretender to the throne...
Where can you store all those long samples and audio files? Paul White checks out one possible answer.
Digidesign's Session digital recording software has now made the transition from Apple Macintosh to Windows-compatible PCs, a feat made possible by the simultaneous release of the company's first PCI-format digital I/O card, the Audiomedia III. Paul White checks out both.
Paul White takes Tascam's new dual cassette deck into the studio for practical trials.
Computers helped former BBC engineer Clive Williamson and his band Symbiosis through all the stages of CD production, right through to finished discs and artwork. In the first of a two-part series, he explains how he brought digital technology and traditional musicians together to create atmospheric ambient music.
Gary Numan's music epitomises the electro-pop era and undoubtedly helped boost synth sales in the early '80s. with the chart re-entry of his classic hit single 'Cars' Numan is approaching his third decade in pop. Jonathan Miller receives a lesson in the art of survival...
It's taken a couple of years, but 808 State have at last emerged from a variety of studios with a sleek new album, the superbly-crafted Don Solaris. Mat Bell talks to head of State Graham Massey.
Nigel Shaw isn't signed to a record company, yet sales from the multiple albums he's produced in his home studio enable him to make a good living from his talents. Paul Tingen talks to him about the business of independent music
With years of record label legal wrangles finally behind him, George Michael set about making an album to put him back at the top of the charts and consolidate his status as serious artist/producer. Working the desks on the Older sessions at SARM West was engineer Paul Gomersall, who tells Mark Cunningham about the making of the album.
There are now more recording media and data storage formats than ever before. Paul White catches up with Pro Tape's Richard Symons, to discuss the role of tape in a multi-platform future.
SOS reader, songwriter and freelance producer Steven Robinson has some strong opinions on the state of pop music today. In this month's stream of invective, he gets some of it off his chest.
Offering 5-part harmony at a budget price, the MV5 is Digitech's easiest to use pitch-shifter yet. The David Mellor Singers provide the tune...
Faced with the unfinished album sessions on analogue tape and a studio full of PCs and digital gear, Brian Heywood gets a chance to find out how flexible modern equipment really is.
The C-Lab Falcon MkX has flown through its CE tests and finally landed in the UK. Ofir Gal checks the spec and assesses the new machine's chances of taking off.
Conventional wisdom states that you can't 'fix it in the mix', but that doesn't mean you cant' try! Paul White discusses a few practical salvage techniques in the first part of this short series.
Martin Russ surveys his dying Mac IIsi and ponders the purchase of a new model. Will he go for leading-edge Power or a last-generation bargain?
When using effects, it's all too easy to add noise to your mix — and it's not always the fault of your effects unit. Paul White offers a few practical tips for achieving quieter mixes.