SOUND ON SOUND
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More than 15 years after the release of their last album The Hunter, the four original members of Blondie are about to make a comeback with a brand-new album due out early in the new year. Long-time friend and producer Craig Leon tells Sue Sillitoe how this latest offering was recorded.
These days, samplers are the electronic musician's bread and butter — but they need not be used in commonplace ways. In the first part of a short series, Nicholas Rowland looks at ways to spice up your tracks with samples from unusual sources.
Martin Walker explores the pros and cons of different soundcard drivers, fixes a problem with his IRQs, and still finds time to read a couple of books as well.
Paul White meets the latest version of Alesis' Quadraverb concept, and finds it respendent with 20-bit I/O, improved digital and analogue interfacing, and a proper internal PSU.
Boss of the highly successful and determindly independent Mute Records, Daniel Miller is one of the UK music industry's unsung stars. Bill Bruce celebrates 20 years of Mute with the man himself, looking back on such highlights as his work with Depeche Mode — and takes a rare tour of Miller's superb home studio.
Electronic Cow programs are moovin' on up, and French company Softjee have got UK distribution for their range of software. Derek Johnson checks out the Atari action.
John O'Connor said farewell to the UK music business with the million-selling single 'Star Trekkin'. Paul Tingen tracks him down at his new home in America, where he is one of the principal composers for the cartoon King Of The Hill, as well as a successful recording artist in his own right.
As it was, as it is, and as it may be. Martin Russ looks ahead to where musical Macs may be going.
Paul Nagle takes the helm this month in our new regular feature on music and recording resources on the internet, highlighting sites devoted to synthesizers old and new, and finding an essential download for owners of the Roland VS880.
It doesn't matter how good the microphone, put it in the wrong place and you might as well be using cocoa tins and string. Hugh Robjohns shares some of his top tips...
Dedicated rhythm machine are very much back in fashion, and the new Boss DR202 offers an impressive specification at a budget price. Chris Carter investigates its qualifications.
It's small, beautifully formed, shows a fondness for purple and claims to be an 'Artist'. John Walden finds out whether Digitech's new guitar preamp/effects processor sounds fit for a Prince.
Derek Johnson and Debbie Poyser explore a well -specified virtual monosynth from newcomers Koblo.
What's the best way to set up you PC's hard drive for digital audio recording? Useful statistics can be hard to come by, so Martin Walker runs his own tests.
The ASRX, Ensoniq's entry into the world of all-in-one sampling and sequencing workstations, has just received a major upgrade and a fresh lick of paint. Chris Carter finds out whether the improvements justify its new 'Pro' label.
Paul Ward reintroduces an instrument now widely neglected on account of its 'digital' tag, and argues that it still has much to recommend it.
Paul Wiffen has been introducing people to digital audio on computers in one form or another for 10 years now, but sees people falling into the same old traps time and time again. In the first part of a short series he explains the importance of making the right decisions before you buy a new system.
Yamaha's soundcard is a synth, a mixer and an effects unit in one. Martin Walker finds plenty to talk about.
'80s technology is still out there in abundance and going cheap. Derek Johnson spotlights a budget beatbox that has everything it takes to slot into the '90s studio.