SOUND ON SOUND
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Will Mowat's career to date looks like a musician's dream come true. A routine programming assignment turned into full membership of Soul II Soul; now he's working with Godfather of Soul James Brown and producing a new album for rising African star Angelique Kidjo. Richard Buskin talks to Will about his approach.
Martin Russ looks at one aspect of computing that may provide a new outlet for your Atari music-making: CD-ROM.
Gordon Reid turns his attention to multi-band digital noise removal systems.
Paul White offers a few tips to help you avoid pitfalls when buying second-hand equipment.
Make your digital synth put on an analogue hat. Does the current passion for analogue mean you have to put your digital synth back in its box and track down an analogue instrument? Not if Nick Magnus has anything to do with it!
Though now discontinued, the K1 and its modular cousins enjoy continuing popularity on the second hand market. Setting this synth up for multitimbral sequencer use is straightforward — when you know how.
Paul Austin looks at a sound and vision system which brings true multimedia closer than ever before: Toccata.
Brian Heywood looks back over the past year of PC music activity.
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Paul White examines 3 different tips & tricks to help with vocals, guitars, and MIDI production.
Even in the simplest MIDI system, there is often a need to switch between one MIDI source and another. For example, when...
Kendall Wrightson signs off as your Mac correspondent with a look at what's in store for '94.
Derek Johnson examines one of the more affordable recorders, the Aiwa XD-S1100.
An investigation of the latest offering from Penny & Giles, the Rolls Royce of fader manufacturers.
Craig Anderton's QY10 goes everywhere with him — and he's developed loads of useful short-cuts to help QY10 owners make even better use of this brilliant musical notepad.
Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?
This deceptively small console conceals a sophisticated VCA automation system that can be used independently or in conjunction with external MIDI devices.
If you're looking for instant gratification in the effects department, ART have something that'll do nicely — as Paul White finds out.
Steven Helstrip checks out a four-program PC package which aims to cover all the MIDI production bases.