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Andre Jacquemin: Music Technology Advances

Opinion | Music Production (Production Lines)

Andre Jacquemin is best known for his production work on all the Monty Python albums, but he is also a rock music producer, a composer and an expert at putting sound to picture. Here he reflects on the advances of technology which have allowed him to streamline his working environment, and the support that is necessary to maintain it.

Published July 1994
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Bars&Pipes; Professional 2.5

Amiga Notes

Paul Austin auditions the ultimate in Amiga sequencing — Bars&Pipes Professional 2.5.

Published July 1994
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Alesis AI-1

Digital Interface/Sample Rate Converter

Sample rate converters are hardly the stuff that dreams are made of, but if you're an ADAT owner, the AI-1 digital interface opens up a whole new bag of possibilities, as Paul White discovers.

Published July 1994
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Desktop Video On Your PC

Tips & Techniques

Computer-literate musicians are well placed to take advantage of multimedia technology. You know all about the sound — now what about the visuals? Panicos Georghiades and Gabriel Jacobs give an introduction to desktop video on the PC.

Published July 1994
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Exploring Analogue, Part 3

Exploration

24 tracks? Pah! How about a whopping 24 notes? Steve Howell concludes his series on the modular system of yore by taking a look at the somewhat capacitorially-challenged analogue sequencer...

Published July 1994
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Information Superhighway

PC Notes

Brian Heywood brings you the latest PC news, and tells you how to get on the 'information superhighway' — free of charge! But first, the news...

Published July 1994
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MIDI Synchronisation Explained

Tips & Techniques

For the benefit of those adding a MIDI sequencer to their multitrack tape facilities, Paul White explains the various synchronisation options.

Published July 1994
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Perfect Piano Loops

Tips & Techniques

Sampled piano aficionados know the particular problems involved in constructing a good loop of this essential instrument. Craig Anderton passes on a personal solution.

Published July 1994
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RAM Doubler

Apple Notes

Martin Russ brings you the latest Apple news, and shows you how to double your RAM — without severe silicon surgery...

Published July 1994
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Using Effects With Keyboards

Tips & Techniques

Most of us can set up a suitable vocal reverb treatment, but what's the best way to deal with all those synthesized and sampled instruments? Paul White offers a few suggestions.

Published July 1994
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Zen And The Art Of Cassette Deck Maintenance

Tips & Techniques

Love it or loathe it, the analogue cassette looks set to be the primary medium for the distribution of recorded music for the foreseeable future, and we have to make the best of it. Paul White shows you how...

Published July 1994
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Analogic Progate Atari Hard Drive

This month the SOS team checks out an Analogic hard drive.

This month the SOS team checks out an Analogic hard drive.

Published July 1994
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Aphex Easyrider 106

4-Channel Compressor

By simplifying the control set up of the Model 106, Aphex have squeezed four channels of compression into a 1U rackmount — making it easier to use without apparently sacrificing functionality. David Mellor's got a ticket to ride...

Published July 1994
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Soundtracs Topaz

Multitrack Recording Console

Soundtracs' new studio gem falls in with the current trend in mixer design — more features and better performance for less money — and adds that special Soundtracs polish. Paul White takes a shine to it.

Published June 1994
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Phonic PLC 3200

Compressor/Limiter

With so many compressors already on the market, does this newcomer from Phonic deserve a look in? After balancing performance against price, Paul White thinks it's in with a chance.

Published June 1994
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Samson MPL2242

22-Input Rackmounting Mixer

This new mixer from Samson can't lay claim to much originality but does offer a good array of features for its sub-£1000 price tag. Derek Johnson checks it out.

Published June 1994
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Typhoon OS, Yamaha TX16W

Alternative Operating System For Sampler

The TX16W was about to go down in the annals of electronic instrument history as a brilliant-sounding sampler handicapped by a pig of an operating system — until a group of Swedish users took matters into their own hands. Duncan Werner investtigates the ultimate in third-party development.

Published June 1994

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