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Steinberg’s mobile DAW gets ever closer to the desktop experience.

Bigger isn’t always better in the world of live sound!

We put Studio Pro’s new AI‑powered note extraction to the test.

Emmally Parsons, aka e.m.arson, is a British producer and musician who blends sampling, electro‑acoustic instrumentation and sonic manipulation in extraordinary ways.


Waldorf’s tiny wavetable wonder packs classic DNA into a portable package.

Improvisation is something we’re all capable of, even if we’ve been conditioned over time to reject it, or never had the chance to explore it in the first place.
These three audio files demonstrate the techniques described in the Cubase workshop in the April 2026 issue of SOS.
These audio files accompany the April 2026 Mix Rescue feature in Sound On Sound magazine.

Easy and quick orchestral arrangements are very much the order of the day as Sonuscore’s The Orchestra Complete reaches its fourth incarnation.

Professional producers Chevy One and Gareth Young talk to Julian Rodgers about the advantages of a hybrid hardware and digital studio setup.

Bryce Young, founder and president of Warm Audio discusses how the company began and how it quickly built a reputation for producing affordable studio gear inspired by classic vintage designs.

James Richmond and Julian Rodgers dive into the world of modular synthesis, explaining what it is and how it fits into both studio production and live performance.

Music producer Ben Hillier reflects on working with Elbow, Blur, Depeche Mode and Nadine Shah, sharing insights on feel, creativity and making records from his distinctive straw-built studio.

The United States Of America released a single album of uniquely experimental music in 1968. Decades later the rest of the world began to catch up to what was almost a lost classic of the psychedelic era.

Currently available for free, Tape Splice Pro is a plug-in which emulates the complete splicing process for any WAV or AIFF audio file.

The Captor X+ offers deeper control, enhanced stereo functionality and some new tone-shaping tools, all of which have been designed specifically for real valve amplifiers and modern silent stage/studio rigs.

Make Noise Music have recently announced the launch of the latest addition to their New Universal Synthesizer System range, the Gestural Time Extractor, or GTE.

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