SOUND ON SOUND
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Morphor enter the BBD delay arena with the Echo, a 4096‑stage bucket‑brigade‑based module in capacious 20HP.
NI bring some light relief to the Schema concept.
The latest amp‑simulation pedal from Origin Effects recreates another much‑loved classic tube guitar amp: the iconic Tweed 5E3 Fender Deluxe.
I was just watching an online tutorial by iZotope, and they discussed NS‑10s and Auratone cubes being used to focus on the midrange. Is this a sound I can achieve with EQ?
I have to record some whispering. The room is not great so I will put the whisperer close to the mic, are there any risks with recording a vocalist very close to a mic?
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Kepler is inspired by the sounds and moods of film scores such as Dune, Tenet and Oppenheimer, and the aim is to give you a complete scoring toolkit.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Tonal Drums is a Kontakt instrument that focuses on the pitch and tuning of a meticulously sampled Canopus Yaiba drum kit.
Rating: ★ ★ ★ ★ ★ 5/5 Stars. Native Instruments are back with another gorgeous piano library, and this time, it’s Claire — a Fazioli‑based Kontakt instrument.
Rating: 4.5/5 Stars. Strezov Sampling bring the world of sample libraries one step closer to the twin goals of expressiveness and realism.
Shure’s latest USB mic features a built‑in audio interface.
If the classic side‑chain pumping effect is your thing, Submerge can do that — and a whole lot more!
Softube’s Console 1 system reaches its third iteration, refining and improving the popular DAW controller.
Fancy composing a symphony on your commute? Steinberg have got you...
Take your music off‑grid with Studio One’s powerful tempo tools.
Mixer and engineer Tobin Jones has worked with a raft of boundary‑pushing artists from electronic powerhouse Powell to Japanese psych‑rockers Bo Ningen.
The ET‑5 may have its roots deep in electronic musical history, but it’s very much a modern instrument.
Torso’s ambitious ‘sculpting sampler’ may be a work in progress, but it promises to be something very special indeed.
UA apply their considerable modelling expertise to a trio of moving‑coil microphones.
Room‑correction pioneers Trinnov were already a step ahead of the competition. Now they’ve taken things further.
What’s the biggest insight I’ve learned from working as a mix engineer and a music production lecturer? You can’t really teach people mixing.