SOUND ON SOUND
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UA apply their considerable modelling expertise to a trio of moving‑coil microphones.
Room‑correction pioneers Trinnov were already a step ahead of the competition. Now they’ve taken things further.
What’s the biggest insight I’ve learned from working as a mix engineer and a music production lecturer? You can’t really teach people mixing.
If controlling your own foldback mix appeals but you’d rather not invest in a digital setup, the PX System might be just what you need.
Windows‑based musicians have long been asking for better support at the operating system level — and it seems to be very much on its way, with native low‑latency ASIO drivers and full support for MIDI 2.0. We reached out to Microsoft to find out more.
Get your vocal levels just right in Pro Tools with these handy tips.
Audio examples to accompany March 2025's Cubase workshop.
These audio examples accompany our March 2025 UA microphones test.
Check out the audio examples which accompany our March 2025 review of this pedal.
The SOS team paid a visit to James and Mark of PresentDayProduction to get their take on how Trinnov calibration has been working for them in their studios.
Having studied the sturdy Studer 169 console, French company HLabs decided its classy combination of mic pre and EQ deserved a place in modern studios.
Malcolm Toft gives a fascinating insight into his career, from building his first mixing desk at age 17, being part of the team at the launch of the iconic Trident Studios, where he recorded Elton John, Queen and David Bowie, to founding Trident Audio Developments to manufacture his consoles.
Composer and Sound Designer Robert Aiki Aubrey Lowe (aka Lichens) talks to Caro C about his preferred sound modules and working methodologies.
In this episode, Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves.
With pristine sound and four switchable bands, Paul Wolff’s 500‑series EQ design strikes a balance between versatility and intuitive control.
Due for full release on 3 March, Balance offers fresh and uncomplicated multi-channel processing.
The ADDAC300 Rev.02 provides users with a way to intentionally ‘starve’ their other modules of power, leading to unconventional effects and “unruly sonic behaviour”.
Strymon's latest pedal is said to combine the sound of classic tape echo units with the richness of their accompanying valve preamps.
Song Athletics’ latest project has been developed in collaboration with BORO, a Montréal- based creative sound studio led by composer and sound artist Noah Cedar Sherrin.
Join Sound On Sound at Machina Bristronica 2025 Bristol on 27-28th September for a weekend of world class live...