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Those of us who can afford it probably master to DAT, but for the ADAT user, this isn't necessarily the best option, as Paul White reveals.

Part 1: You wouldn't dive into a swimming pool if you couldn't swim, so why do so many musicians seem content to plunge into a music business they know nothing about — and which can be just as hazardous? Songwriter David Bibbey decided to educate himself in the business of music by talking to the people who really matter. EMI Music's Brian Jackson was the first to get the Bibbey treatment...

Korg's new pedal box features a novel pressure pad that lets you change performance parameters while you play. Paul White gets in his annual half-hour guitar practise session checking it out.

Following the success of their Quasar synth last year, Quasimidi have launched the new Technox, aimed firmly at the production of electronic dance music. Paul Ward dons his backwards baseball cap and checks it out...

Kurzweil's new master keyboard combines the features of a MIDI controller with the sounds and feel of an 88-note digital piano. Tim James tickles the ivories...

Paul White gets a sneak preview of an approach to synthesizer technology that could truly change the face of both synthesis and sampling as we know them...

Paul White gets to grips with the latest budget equaliser from Ross, and offers a few handy tips on graphic equalisation.

Yamaha's new Virtual Acoustics instruments provide the cutting edge of sophisticated synthesis technology — at a price. But what is the company doing for the mere mortal musician amongst us? Martin Russ assesses their answer, the new W-series workstations.

Canadian hardcore band Front Line Assembly have carved out a niche for themselves in the Electric Body Music market — but the hard men of synth rock have a softer side, which is emerging through various alter-egos and an evolution of the band's own sound. Nigel Humberstone talks to Front man Bill Leeb.