SOUND ON SOUND
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Pro Tools users now have their own monthly column, focusing on tips, techniques, news and technical development coverage for the full range of PT systems, from the popular Digi 001 to top-flight professional studio hardware. *
Martin Walker offers some practical advice on choosing soundcards that will work in modern PCs without falling foul of chipset or driver compatibility problems.
Derek Johnson rounds up the latest Atari news and software availability.
Big George uses this month's column to present his very own media Who's Who.
Marantz's dual-deck CD writer uniquely allows the creation of a Red Book CD from a CD-R recorded in Track-at-once mode. Paul White finds out if you really can compile masters in the studio without a hard disk recorder.
Aphex have provided an elegant way to avoid the detrimental effects of long cable runs on delicate mic signals. Hugh Robjohns evaluates the Model 1788.
Behringer's latest addition to their Eurorack compact analogue mixer range offers 16 hi-spec channels, plus the flexibility of an in-line monitor configuration.
The new third-generation RADAR hard disk recorder is the most affordable version yet, and offers 24-bit recording over 24 tracks at sampling rates of up to 192kHz. Hugh Robjohns puts it through its paces.
Lexicon's new multi-effects unit offers the classy sound quality of the MPX500 at an even more affordable price point.
Gordon Reid concludes his attempts to adapt an idealised analogue brass patch so that it can be programmed on real synths. This month, he looks at the Roland SH101 and ARP Axxe.
If the Crumar Spirit is one of the best analogue monosynths the world has ever known, how come you've never heard of it? Gordon Reid explains...
Hoontech may be a new name to most SOS readers, but those interested in affordable multi-channel digital audio cards for Windows platforms may want to get to know them better. John Walden puts their Soundtrack DSP24 and ADC/DAC2000 package to the test.
Trying to keep a microphone in the optimum position on an acoustic instrument is often difficult, especially when recording...
The original Antares ATR1 made a huge impact when it was first released, making possible natural‑sounding, real‑...
Four years on from its launch, Sherman have updated their innovative Filterbank analogue filter unit. Paul Nagle checks out all the weird and wonderful new features.
If you need an affordable compact mixer with a decent audio path, a simple to use layout and no unnecessary complexity, be sure to check out this new rackmount model from Studiomaster. Paul White evaluates the 162BP.
Paul White tests a specialised analogue delay unit, designed to emulate the unique warm sound and complex echo patterns of its vintage, tape-driven ancestors.