SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Viscount were there from the very beginning of the budget effects revolution, and with the EFX100 they hope to give the cash-starved masses a further option. Christopher Holder finds out whether the EFX100 holds its own in the bustling budget marketplace.
There are still plenty of people who just won't have a computer in the studio, but nevertheless need some way of saving MIDI data. Nicholas Rowland checks out the successor to the venerable MDF2.
Did you spot the rather unlikely recording setup in a recent sci-fi blockbuster? Paul Farrer did...
Your recording's complete, packaged and ready to shake the world. So what do you do about it? Big George looks at step one in the promotion merry-go-round.
You might think you can't afford 32 inputs and eight busses — but a look at this cost-effective console might just change your mind. Derek Johnson goes on the busses...
If you thought the MMX processor was still the last word in new technology, prepare to boldly go where your PC has never gone before. Martin Walker looks at the many new families of PC chips, and explains their relevance to the musician.
Many of us can now afford the once-unthinkable luxury of making our own CDs, for one-off music demos, mass CD duplication or general data storage. But a few of us know the full story behind the numerous 'Book' standards governing the kind of data that can be stored on a CD. Mike Collins colours by numbers...
Homebrew software comes to the fore this month, as a Manchester studio decide to make the most of their vintage Atari — by producing their own programs. Derek Johnson gives them a big hand...
Have you ever been faced with recreating a mix that you haven't worked on for weeks? Martin Walker explains how he manages to do just that, without the benefit of expensive automated mixers or a tape-op with a notebook!
Chorus, phasing and flanging are very common processes, but they don't always achieve the effect you hoped for. Paul White offers a few tips.
Boss's popular 'Doctor' range of inexpensive and useful studio gear is now over 15 years old, but remains very much alive, and the Dr Sample SP202 is the latest newcomer, offering quick and easy sampling for DJs or beginners in the field. Chris Carter gives it a full physical...
Pro Tools moves up a bit (or eight) and Mackie's dedicated hardware controller for the system finally arrives. Mike Collins gets an advanced viewing.
Digital devices need synchronisation just as much as analogue ones, and this new offering from Digidesign aims to be a one-box solution for most audio and visual sync requirements. Mike Collins says it's about time...
Paul White tries out a new range of European software plug-ins with stylish interfaces and innovative features.
The latest version of this popular audio sequencer sees Emagic's answer to competitor Steinberg's VST built-in effects. But there's rather more to this significant upgrade than that, as Paul White reports.
For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...
Paul White listens in on the new headphone amplifier from British makers DACS Audio.
Apart from a few MIDI-supported commands, the Doepfer MS404 is completely analogue — so there are no patch memories, no SysEx, and no storable front-panel settings. Chris Carter explains why you'd nevertheless be mad to overlook it...
Can new technology really emulate vintage equipment, or do you have to use vintage parts? Paul White test a modern compressor that claims chameleon-like abilities to emulate classic compression sounds.