SOUND ON SOUND
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Metering is a critical element of any audio recording system, and the modular nature of DK Audio's extensive range of high-quality units makes it possible to purchase a system that exactly meets your requirements. Hugh Robjohns is impressed...
There are many roads to chart success. Big George gives you directions...
Emagic's inexpensive analogue synth emulation for Logic Audio and Micrologic AV comes under scrutiny from Paul White.
With rival sampler manufacturers currently battling it out at the lower end of the market, Emu's latest bid for budget supremacy is the successor to their ESI32 and ESI4000 — the ESI2000. Paul Farrer takes it easy.
This hour‑long video was produced by Dave Goodman, the man behind Helpful Music, in a bid to demystify the complexities...
Audio Recording For Profit is a real 'insider' guide to the business of making money from sound recording. The author...
The latest addition to JBL's LSR series of monitor speakers is a small nearfield two-way active system. Hugh Robjohns lends them his ears.
Korg have been at the forefront of analogue modelling technology, but the new MS2000 is their first instrument to mimic the style as well as the sound of their analogue classics, right down to its incorporation of a virtual patching system. Derek Johnson powers it up.
As explained last month, audio-frequency modulation of the amplitude of a signal can be a powerful synthesis tool. The possibilities expand still further when we consider what happens when you use one audio-frequency signal to modulate the frequency of another...
Kurzweil's latest workstation is very much the product of evolution, rather than revolution. Paul Ward finds out whether it's keeping pace with the rest of the synth world...
Christina Aguilera's debut single was a worldwide smash hit last year, thanks in no small measure to the distinctive work of producer and co‑writer David Frank. Mike Senior finds out how he did it.
Although he started his working life as a producer, Tom Lord-Alge chose to narrow his field of work, and now ranks alongside Bob Clearmountain and his brother Chris Lord-Alge as one of the best mix engineers in the world. We discover what makes a TLA mix tick...
From his early days as a pioneer of British synth-pop, Martyn Ware has forged a career on the cutting edge of electronic music. And he is still innovating today — in 3D.
More than just another stand-alone box that burns CD‑Rs, the Alesis MasterLink also includes a large hard drive to store audio and built-in CD mastering tools — in theory, all you need to create CD‑R masters without ever booting up a computer.
For many, the ribbon microphone starts and ends with the BBC‑designed 4038, but technology has moved on since this classic first appeared, as we discover when we encounter this state-of-the-art model from Royer.
The ADI96 Pro is a 96kHz-capable analogue-to-digital converter featuring both mic and line inputs, as well as a whole host of onboard DSP functions. We check it out...
Analogue Solutions' diminutive Minimodular contains all the necessaries to make up a miniature patchable synth. Gordon Reid arches an eyebrow at this innovative and compact sound source.
The Phoenix all-valve compressor is a high flyer when it comes to quality and price. Will it help Thermionic Culture feather their nest?
We answer some commonly-asked questions on the use of voice channels in recording.
Paul White tries out TLA's combination of front end and parametric equaliser.