SOUND ON SOUND
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![Figure 1: [top-left] A paraphonic synthesizer. Figure 2: [bottom-left] A fully polyphonic analogue synthesizer. Figure 3: [right] Octave divider boards.](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/s/synth1_2_3-0101-muEtxP7wD74DHo.jL_rSEge628JVxWw1.gif "Figure 1: [top-left] A paraphonic synthesizer. Figure 2: [bottom-left] A fully polyphonic analogue synthesizer. Figure 3: [right] Octave divider boards.")
This time, Gordon Reid explains how various analogue synth manufacturers attempted to create workable polyphonic synths by employing digital technology.
M Audio's Omni I/O interface allows 'Delta card' users to add mic amps, instrument inputs, insert points and monitoring capabilities to their existing systems. Martin Walker gets connected.
Magma's ingenious PCI Expansion Chasses attach to portable computers via PCMCIA and allow you to run PCI audio, video and SCSI cards. Paul Wiffen tries out the latest model, which works with current Apple Powerbooks as well as PC portables.
Martin Walker looks at a handy half-rack unit which could provide an ideal front end for your computer-based recording system.
Many of you were caught out by our 1995 April Fool preview of a fictitious piece of software that could modify the musical style of a MIDI file to create specific emotions in the listener. Now, however, it seems that fact may have caught up with fiction. Martin Walker tries out Ntonyx's innovative Style Morpher.
The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...
The XV88 is the first of Roland's new XV range of synths to sport a keyboard, and also adds all manner of real-time control facilities. Gordon Reid checks it out with two of the new SRX-format sound expansion boards.
Want the sound of real drumming in your Cubase mixes, but find sample CDs too inflexible? Steinberg believe they have the answer. Sam Inglis tries out the first releases in the VST Drum Session series.
Paul White enjoys the creative potential of Alesis' distinctive and highly affordable new interactive effects processor.
One of Britain's leading experts in orchestral arrangement, David Sinclair Whitaker has worked on everything from the original version of 'My Way' to hits by S Club 7. Mike Senior finds him still going strong after more than 35 years in the music business...
Sam Inglis catches up with man behind one of the year 2000's biggest dance hits, and hears about a tangled web of remixes, bootlegs and licensing deals; not to mention the most bizarre synthesizer on the market today...
SOS pay a visit to more avid readers to investigate their home/project studio.
Kevin Perry proposes a radical redesign for modern digital audio software as we know it...
This month Dave Shapton questions Apple's corporate strategy and speculates on the possible implications behind Microsoft's desire to have their Media Player running on as many platforms as possible...
Paul White meets the head of TC Works to preview the company's new PowerCore card, a DSP engine designed to relieve host-based MIDI + audio sequencers of some of the strain of running processor-intensive plug-ins.
Paul White further explores the secrets of successful compression, and explains how to use advanced techniques for mastering your mixes.
Martin Walker explains how to clear out all the drivers, utilities and Registry entries associated with an old, discussed soundcard, leaving you with a clean machine in which to install your new, upgraded hardware.
Continuing his in-depth explaination of the Logical Edit functions of Cubase in Easy Mode, Paul Sellars looks this month at the role of the Processing stage settings, in conjunction with the Filter and Function operation, before moving on to the greater complexities of Expert mode...
The application of both traditional principles and some innovative electronic design work affords this dual-channel preamp impressive performance. Hugh Robjohns likes what he hears.