SOUND ON SOUND
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With full-sized velocity-sensitive keys and versatile control capabilities, Evolution's diminutive MK125 could find many uses as a MIDI remote keyboard. Martin Walker tries one out for size.
Paul White tests the latest incarnation of the Joemeek VC3, which now sports a three band equaliser in addition to its mic/line preamp and opto-compressor.
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Every pitched sound can be thought of as a collection of individual sine waves at frequencies related to the fundamental. Gordon Reid introduces a powerful method of synthesis that works by manipulating these individual harmonics.
Although it certainly does sample, Roland's breakthrough 'Variphrase Processor' is far more than just a sampler — it offers a host of 'elastic' real-time pitch-shifting and time-stretching options the like of which have never been seen before. Derek Johnson & Debbie Poyser stretch the limits of sonic processong with the unique new VP9000.
MIDI interface, audio interface, effects processor, hardware control surface for software MIDI + audio sequencers... Edirol's USB-based U8 promises to be all of these. John Walden investigates.
The ability to record multitrack audio with 24/96 capability is something you'd expect from any modern MIDI + Audio sequencer. SEKD's flagship software package does this and a whole lot more besides, including 5.1 and two-channel surround mixing and direct CD burning without the need for a separate application. Martin Walker finds out how it's done.
Paul White changes his manual-gearbox compressor for an automatic model to see whether performance or economy suffer.
Back in the days when spring reverbs were all that the project studio owner could afford, nobody had a good word to say about...
Tascam have updated their ubiquitous DTRS format with an affordable and compatible 24-bit modular digital multitrack. Hugh Robjohns tries out the DA78HR.
In SOS June '99 we reviewed the original Tascam CD‑D4000, a 2U CD duplicator capable of replicating complete...
Paul White tries out AKG's versatile new back-electret, fixed cardioid microphone.
Paul White tests Yamaha's new high-end CD recorder, featuring Apogee's acclaimed UV22 noise-shaped dithering technology.
Waldorf's Q keyboard workstation definitely suffered by being released to the public before its operating system was completely finished or bug-free. Gordon Reid takes advantage of the release of the new Q Rack module to revisit the operating system and see how it's come on...
SOS meets another reader in their home studio.
Dave Shapton explores copyright issues raised by new digital media and the effect of emerging technologies on the way that music is distributed.
Although 'Money' took new British R&B star Jamelia into the top 5 at the age of 17, her apparent overnight success was built on more than a year of hard work by producer Colin Emmanuel. Sam Inglis uncovers the story behind the single.
Danish company TC Electronic have been at the forefront in developing new and more realistic reverb algorithms. Most recently, they've been putting their energies into overcoming the particular problems associated with artificial reverb for surround sound. Thomas Lund, TC's Programme Manager, explains their approach to Paul White.
Veteran guitarist Carlos Santana's 1999 comeback album Supernatural has been a sales phenomenon in the US album charts. Richard Buskin spoke to engineer Glenn Kolotkin, whose association with Santana goes back to his classic albums of the '70s.
Whether your bag is pop, jazz, or classical music, or even if you just watch TV occasionally, you've almost certainly heard Richard Niles's work. Mike Senior talks to one of the most versatile men in modern music.
Wayne Rowley wishes that Windows was more musician-friendly and turns to BeOS as a possible alternative...