SOUND ON SOUND
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Can the improved, AI‑based Mix Assistant make iZotope’s already powerful collection of mixing plug‑ins more useful?
With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.
Live 12’s new Tunings system is your invitation to explore alternative tunings and microtones.
We go beyond the headlines to explore Logic 11’s less obvious new features.
Want to take your valve amp sounds on stage without breaking your back? The Nano Cortex makes capturing and delivering those tones quick and easy.
If you do much work with surround or immersive formats, upmixing and downmixing are a fact of life. With Penteo, good results needn’t cost the Earth.
Play All Day’s debut outing takes a novel approaching to hands‑on hardware control.
Pro Tools has many features aimed at post‑production. Could they help you with music production too?
The Roland P‑6 is a pocket‑sized sampling powerhouse.
Soyuz’s latest pencil mic is as easy on the ear as it is on the eye!
Brothers Sebastian and Daniel Selke and Kyoto‑born Midori Hirano are Berlin‑based producers and artists who have come together to produce a collaborative album called Split Scale.
Are buzzes, hums and hisses ruining your guitar recordings? Here’s how to keep the noise to a minimum.
Yamaha’s FGDP‑50 drum pad is designed explicitly for the digital percussionist.
Cinematic Lights is a new virtual instrument for Studio One Pro 7 that combines heavily processed orchestral string samples with a range of synth and field-recording layers.
Taking pride of place on Austrian Audio’s booth at the 2025 NAMM Show was the OC-S10, a new large-diaphragm capacitor mic that the company say offers exceptional versatility and will suit any recording scenario.
Tascam have revealed a new expansion card that brings 64 channels of SMTPE ST 2110-compliant AoIP connectivity to their Sonicview 16XP and 24XP digital consoles, alongside a firmware update that delivers some handy new features for broadcast users.
Beetlecrab introduce new granular processing live effects along with more improvements to their flagship synthesizer.
The LV1 Classic combines 64 stereo channels, 44 stereo buses and 16 Waves Signature Preamps into a robust yet compact console.
The latest update introduces a new Modal engine, enhanced filtering options, expanded modulation tools and overall refinements.
DPA Microphones have unveiled CORE+, a technology said to neutralise distortion across a microphone’s entire dynamic range.