SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Paul Wiffen made no secret of his fondness for the OSCar in September's issue, and now reminisces about the other great keyboard love of his life — the Elka Synthex, a synth whose reputation and influence far outweighs the number that were ever sold.
The budget‑priced Fostex DE1 is a half‑rack, 20‑bit effects processor, with the ability to act as two...
Ticket Audio Products, the manufacturing subsidiary of Raper...
Achieving the right balance between quality, size, practicality and price is no easy task, but HHB have hit the nail squarely on the head with their Circle 3 Active monitors.
Paul White tries out a compact monitor from a new British company to see if it can rival the established names.
![Figure 1: [left] An irregular, non-repeating waveform.](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/f/fig1_2-1199-qn1kg0IBD6sDFqsMt7NCi22Lc1obEtlu.gif)
You press a key on your synth. It plays a note. That's it, right? Wrong. We explain the role of envelopes, gates, and triggers in this deceptively simple process.
Some cheap monosynths from the '70s and '80s are now highly regarded and hugely expensive second-hand buys. Not so the Jen SX1000 which, says Gordon Reid, is an unjustly neglected nugget of synth history.
Want to get serious about your music? A quality master controller keyboard is a good place to start. Paul Ward looks at two machines that offer a little more than most.
Roland have moved into the active monitor market with a product which offers digital inputs and a 'Speaker Modelling Function' courtesy of their V-series recorders and mixers. Technology overkill or a studio necessity? Hugh Robjohns finds out...
Sonic Foundry have a reputation for innovative PC audio software, but their range has not included a true multitrack recording package — until now.
Bassist John Paul Jones hasn't let the grass grow under his feet since Led Zeppelin came to rest at the turn of the '80s. Constantly in demand for his arranging and compositional skills, he's now produced his first solo album, Zooma.
The flexibility of Yamaha's popular O-series digital mixers means that there are as many ways to use them as there are owners. Paul White passes on some tips from both Yamaha insiders and professional users.
Billed as the most afordable Emulator yet, the E5000 Ultra is Emu's new contender in the middleweight professional sampler stakes — and it's a force to be reckoned with.
Focusrite's latest product is an updated version of one of their '80s classics. Is it even better the second time around?
There aren't many British mic companies, but one — Hebden Sound — offer a complete range of hand-built capacitor mics, sourced entirely from British components.
Derek Johnson & Debbie Poyser explore a colourful way of applying virtual synth processing to your samples.
Paul White introduces his old, grey Mac to new technology in the form of the LaCie DVD-RAM drive. Just the thing for backing up those long audio files?
Paul White tries out a modelling guitar amp with a wide range of tones and a stereo DI output.
Martin Walker looks at a new stand-alone utility that claims to add the human touch to MIDI data, and finds that it scores highly.
Apogee have a long association with state-of-the-art digital converters. Hugh Robjohns investigates two of their latest 'affordable' models, the fully equipped PSX100 A-D and D-A converter and its simpler derivative, the Rosetta A-D.