SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Designed for producers seeking a clean, professional sound, the all-in-one plug-in is said to be a great general-purpose tool that excels on everything from individual instruments to buses and full mixes.
sE Electronics' new shotgun mic has been designed to deliver pristine, directional sound capture across a range of applications including live stages, broadcast booths, film sets and podcast studios.
Said to be more powerful, versatile and intuitive than ever, the new version comes packed with new features designed for a wide range of applications including music, post-production, restoration, sound design, mastering and audio forensics.
In response to user requests, CB Electronics will soon be releasing 32- and 64-channel versions of their relay-based digitally controlled patchbay.
Building on the success of its predecessor, Percussive Layers 2 features 748 one-shot samples and 316 presets that comprise transients, snare layers, weighty subs, foley, crackles, reversed effects, noise, left-field sound design elements and much more.
Apogee say that their latest Clearmountain-series plug-in “brings the harmonics, warmth and unparalleled sonic character of Bob’s personal console into the hands of producers, engineers, and musicians worldwide.”
Tactile combines a ‘spectral freezing’ technique with granular synthesis, and features an X-Y interface that allows users to blend between layers of audio and create continually evolving soundscapes.
Mastering.com have announced the availability of a new online course designed to cover the fundamentals of mastering in just seven days.
Network cables don’t have to carry digital traffic. As Ashton Research’s debut range capably demonstrates, they can also work well in the analogue domain.
Want to dabble in DIY? Then you’ll need a good guide!
Part fuzz, part guitar synth, this quirky pedal was conceived with horror soundtracks in mind. But it’s not a one‑trick pony...
While most reverb devices and plug‑ins either take an algorithmic or convolution approach, Utopia can dynamically reshape the spectrum of the reverb to remove elements that might clash harmonically with the input signal.
Electro-Harmonix have created the LPB‑3 Linear Power Booster, which incorporates an active EQ, complete with a parametric mid control.
Teletone Audio’s Tone Architect combines three key processing sections called Saturator, Tone Shaping and Compressor.
The Archaea Exchange falls into what is possibly the author's favourite category of modules: essentially very simple but with massive scope.
The Lublin 1957 from XAOC Devices is a two‑channel pingable VCA module with three ping responses and a gain limiting circuit to prevent peaking or distortion.
One of the central figures behind XAOC Devices' success is Maciek Bartkowiak, a veritable heavyweight in electronic instrument design and a charming fellow to boot.
The unsettlingly named Seventh Summoner is a really simple sequencer, and as with the Arp Of Darkness, it does just enough to make itself fabulously useful.
With four stages to play with, Articulate offers a little more control over the attack and sustain of a sound than most other transient shapers.
Are passive systems better than active ones, and does this apply to studio monitors as well as the hi‑fi world?