SOUND ON SOUND
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From sports to computer programming, it seems that theres an extreme version of everything these days. So what is extreme sample conversion, and how is it better than the ordinary kind?
If your bedroom studio is more bedroom than studio, you might think that recording bands is beyond your powers. But where theres a primary school, church hall or industrial unit, theres a space you can use...
This latest collection from Loopmasters comes courtesy of noted DJ, producer and remixer Tim Healey and production partner Marc Adamo, and weighs in at a hefty 3.9GB.
This compressor offers automatic time constants to help to keep things sounding natural, even with plenty of gain reduction. Is it a weapon worth adding to your arsenal of mix tools?
Sometimes the simplest-sounding music takes the most work to get right, and so it was with Johnny Cashs posthumous hit album American VI: Aint No Grave. Engineer and mixer David R Ferguson was on hand at every stage of Rick Rubins production.
We get hands-on with Korgs touchy-feely new synth.
The expanded audio clip slicing introduced in Live 8 is a powerful creative tool. We show you how it works.
You can get the amp and stomp-box collection youve always wanted now that Logic offers Pedalboard and Amp Designer.
In the second part of this short introductory series, we cover the more technical aspects of film-making, demystifying some of the jargon that might trip up the video newbie.
Can an external clock signal really improve the performance of your digital audio devices? We put seven of the best master clocks through their paces to sort out the facts from the myths.
Avantone have added on-board amplification to their contemporary take on the classic Horrortone secondary monitor, and the result is something quite special...
This month, we breathe life into a track by restructuring it to avoid unnecessary repetition, adding subtle new parts, employing various mix tricks and finally applying a little DIY 'mastering' polish...
