SOUND ON SOUND
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Bend Markers let you manipulate your audio timing with ease.
Can the Synclavier Regen live up to the near legendary status of its ancestors?
“I have an impulsive streak,” confesses Puerto Rican‑Italian artist Becca Mancari. That impulsive streak brought Mancari to Music City around a decade ago, and it was in Nashville that they met a host of future collaborators.
If more is better, then an IEM with no fewer than 21 drivers must be the best ever, right?
Ever wished you could control the level of room sound that’s baked into a dialogue or vocal recording?
The Nagra VI is a visually stunning, operationally simple, and a technologically versatile 8‑track digital audio recorder, derived from a long genealogy of superb‑sounding and beautifully engineered machines...
Embrace the power of Cubase’s Project Logical Editor, and you can become a workflow ninja!
The Berkeley pedal, from UK-based manufacturers Horrothia, aims to recreate the vintage Uni-Vibe sound but it’s not an outright clone.
The audio examples on this page accompany the review of the Dynamics 2806 Compressor and Expander module by Frap Audio.
Xylo Aria talks about her personal journey as a music artist and how it gave her the incentive to create Music Production for Women.
Patriotism doesn’t always come naturally to Britons, but if anything can provoke a swell of national pride, it’s our track record in mixing console design.
Embody’s mission to make immersive mixing on headphones a practical proposition moves forward with the addition of a second virtual studio.
Underpinned by rapid developments in AI technology, SpectraLayers Pro 10 promises some remarkable advances in performance.
Are the motorised knobs of Melbourne Instruments’ debut synth a gimmick, or should all synths have them?
The Polish pioneers pair their plug‑in remote control system with a classic analogue compressor.
Many manufacturers now offer dedicated products tailored for the distinctive workflows involved in podcasting and live streaming.
A&H’s newest live sound consoles combine powerful processing with user‑friendly features.
With a built‑in analogue compressor, Apogee’s Jam X is designed to get your guitar sound right from the start.
Intended for both speech and music, Audix’s latest microphone demands to be seen as well as heard!
With the fourth generation of their Scarlett range, Focusrite continue to bring features that were once exclusively ‘professional’ to everyone.