SPITFIRE AUDIO: Recording The Abbey Road Orchestra
Join the Spitfire Audio team and engineer Simon Rhodes on a deep dive into one of the most epic orchestral projects of all time...
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Join the Spitfire Audio team and engineer Simon Rhodes on a deep dive into one of the most epic orchestral projects of all time...
Famed English producer and engineer John Leckie gives details about one of his most influential works, the mini‑album 25 O’Clock, a pastiche of ’60s psychedelia.
Guts has cemented Olivia Rodrigo’s status as a major star. Her chief songwriting and production partner is Daniel Nigro.
Paul Hardcastle’s iconic ‘19’ owes more than a little to serendipity and the limitations of the Emulator II sampler...
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Eirik ‘Pytten’ Hundvin’s work with Mayhem continues to inspire producers, 30 years on. Two of the genre’s leading lights explain how they are taking black metal forwards.
American music producer, songwriter and multi‑instrumentalist Doug Showalter breaks down how he crafted the guitar sound on Harry Styles’ mega‑hit ‘As It Was’ in his Nashville studio.
Mayhem’s De Mysteriis Dom Sathanas album is the cornerstone of Norwegian black metal. We talk to producer Eirik ‘Pytten’ Hundvin about his unique philosophy and the making of this genre‑defining album.
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Kevin Paul talks to Record Producer and Mixer Danton Supple, who gives a fascinating insight into learning his trade at Sarm and Westside Studios during the 1980s and how he approaches the different roles of Recording Engineer, Producer and Mix Engineer.
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In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C discusses the Delia Derbyshire archives and the importance of her contributions to the development of electronic music.
Record producer/mix engineer Luke Smith details how he got his favourite sound on ‘Spanish Sahara’ from Foals...
Asked to pick a favourite sound to dissect, American mix master Michael Brauer chooses the vocal sound on Elle King’s ‘Ex’s & Oh’s’.
The technical dimension to vocal production is important, but the human dimension is even more so.