SOUND ON SOUND
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US mic manufacturers CAD move in on the affordable end of the market with two new large-diaphragm models, one of which offers multi-pattern functionality. Hugh Robjohns evaluates the M177 and M179.
Oram are not a company to do things by halves; their Octasonic, as the name suggests, features a whopping eight channels of professional-quality mic amplification. David Mellor finds it's eight times a preamp....
Throughout the years, Tannoy have determindly supported their dual-concentric driver concept in the fierce cut and thrust of the monitor marketplace, and the 600A is their latest mid-priced champion. Hugh Robjohns enters the fray...
Paul White discovers that it's good to talk, especially when you have some help from Digitech.
Paul White returns from the land of the rising Sterling with tidings of a whole new range of Yamaha hi-tech and pro audio products.
The inherent non-linearities and distortions of analogue equipment are sometimes sorely missed in this digital age. Empirical Labs offer their new FATSO Jr as a solution.
Dynaudio Acoustics use cutting-edge digital signal processing, developed with TC Electronic, to increase the fidelity of their existing driver technology.
Does the DPR422 have the right combination of price and performance to break BSS into the project studio market?
Paul White lends a critical ear to Xpression's first ever powered monitor, to test the company's claim of accuracy at a budget price.
Behringer's latest addition to their Eurorack compact analogue mixer range offers 16 hi-spec channels, plus the flexibility of an in-line monitor configuration.
Emu's range of soundcards offers an unprecedented level of flexibility, DSP power and sound quality for the price — with the added bonus of a very impressive software sampler.
For serious sonic sculpting, you can't beat a parametric EQ, and this new contender from Seattle-based Symetrix is priced within reach of many project studio owners.
A good psychoacoustic enhancer can take your sound higher than you thought possible, and though there are plenty of enhancers on the market, this new Austrian model proves there's always room at the top. Paul White tries to control his excitement...
Fostex's new digital mixer sports ADAT I/O and a feature set which belies its price. Derek Johnson & Debbie Poyser trip the lightpipe fantastic.
Paul White studio tests a compressor whose main claim to fame is that you can't hear it working. Is transparency merely an attribute of the Emperor's new clothes, or is this unit something rather special?
Paul White tests what must be the ultimate small monitor, but finds that you pay for it in pounds — both fiscal and gravitational.
Akai's new 24-track recording and mixing workstation continues the expansion of their DPS multitracker concept with technology derived from the company's renowned post-production machines.
If you're in a situation where your DAT machine gets heavy use, it's probably worth considering a pro model rather than a domestic one. Hugh Robjohns studio-tests a new, moderately priced professional DAT from Sony.