SOUND ON SOUND
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Already leading the way when it comes to plug‑in remote control of analogue hardware, Wes are now bringing their expertise to bear on a wider range of processors.
Long live Sound On Sound magazine! It’s the only magazine I trust to give me useful facts — real facts.
Rock & roll changed everything. Not least, the music industry.
Logic’s MIDI plug‑ins are your key to instant inspiration!
McDSP’s new distortion‑cum‑reverb promises to put your audio through the wringer.
Kali’s new Santa Monica speakers are their most advanced yet.
1010music’s portable groovebox is the company’s most ambitious product yet.
Our countdown of the most influential music tech breakthroughs reaches the Top 20.
AEA aim for the middle ground with an intriguing new stereo ribbon mic.
AFK Audio’s Drumbeam is a percussion pad with a difference.
For this plug‑in, boutique New York bass specialists Aguilar teamed up with modelling experts Korg — and the results are impressive...
We asked music professionals how AI is changing their world.
Join us as we travel back in time to see how the story of one of the most important machines in modern music began.
The Live III is the most powerful and flexible MPC yet...
Find out just what’s possible — and what’s not — with Cubase’s new virtual vocalist.
This major update to Fiedler’s immersive audio mastering suite could revolutionise your Atmos workflow.
If you need to record dry‑sounding vocals in a less than ideal room, GIK’s generously sized portable booth could be just the ticket.
It’s billed as a ‘mastering’ compressor, but VCME 3 is way more versatile than that.
Legendary engineer Phill Brown has worked with the biggest names in music, from Led Zeppelin and David Bowie to Cat Stevens and the Rolling Stones. Asked to choose a favourite sound from his vast catalogue, he nominates the drum sound on ‘After The Flood’, from Talk Talk’s 1991 album Laughing Stock.
Give your vocals a completely new personality with IK’s ReSing.