SOUND ON SOUND
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If you don't need separate mixes for each musician, the Mojo MH4 may be everything you need in a headphone amp, says Paul White.
Established mic company Audio Technica have branched out into the world of headphones with their new ATrange. Paul White listens in.
Paul White listens in on the new headphone amplifier from British makers DACS Audio.
With their second headphone model, Rode are looking to shut out the world outside.
OLLO Audio’s eco‑friendly headphones certainly stand out from the crowd. Do they sound as good as they look?
If you’re struggling to get everything in your mixes coming across loud and clear, read on.
HOFA‑College’s tutors have analysed more than 21,000 student mixes. We draw on this practical experience to identify the five most common mistakes made by beginners.
Grammy Award-winning engineer and producer Dom Morley chats with Sam Inglis about the art and craft of recording and mixing vocals.
I mix using a combination of headphones and monitors (depending on the time of day!) and I'm concerned about the potential...
Getting vocals to 'sit right' can require a lot more than setting the fader and applying EQ. We asked a number of engineers how they do it.
Our engineer applies his mixing chops to put a professional sheen on an unrepeatable vocal-and-piano performance.
One year and a major firmware update later, we take a second look at QSC’s flagship digital console.
The latest version of the established MixWizard range has more pro features and routing options than you can shake a magic wand at.
Live opera can be a life-changing experience — and London’s premier opera house is using immersive sound to explore new ways of sharing it.
The K-Mix squeezes a mixer, an audio interface and a MIDI controller into one very tactile box.
Our engineer reworks a busy mix, to make the chorus and outro rock like they should.
I am an audio engineer from the fair shores of New Zealand. The other day I was presented with an argument, and this...
Tracks that I mix in my home studio tend to sound really bad in my car, but when I correct the mixes so they sound good in the car, they sound awful over my monitors — so what's going wrong?
Greg Price has spent nearly 20 years at front of house for some of the biggest names in rock, and now his company believe they’ve perfected the art of live recordings.