
Plug-in Folder February 2006
We test another group of hot plug-ins: Universal Audio Dimension D • Ugo Rez, Texture, String Theory & Motion • TC Electronic VSS3 Stereo Source Reverb.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
We test another group of hot plug-ins: Universal Audio Dimension D • Ugo Rez, Texture, String Theory & Motion • TC Electronic VSS3 Stereo Source Reverb.
Convolving reverbs are coming down in price as more manufacturers make their own. We check out Emagic's new plug-in, which is one of the more affordable ones around, but still allows you to create your own reverbs from favourite spaces.
It is not always necessary to buy the big boys' top-of-the-range, feature-packed music software. Steven Helstrip compares seven budget PC sequencers, and proves that you don't have to sacrifice reliability or user-friendliness if you're trying to save your pennies.
Multi-port MIDI interface and patchbays can seem an expensive indulgence for the average studio. But, as Martin Russ explains in the concluding part of this two-part feature, they can really help you to get the best use from the MIDI gear you already own.
The likes of Depeche Mode, Cocteau Twins and Nine Inch Nails all owe a sonic debt to engineer/producer John Fryer, who explains his approach to production.
The SOS team ride to the rescue of a budding media composer who is having trouble with his mixes.
Two years after its launch, Roland's innovative SP808 sampling workstation has undergone a dramatic change in appearance, and also now benefits from new effects and improved Zip drive storeage. Chris Carter embarks on an affair with an EX...
What does the SOS team want for Christmas this year?
A job helping to provide the sounds and recording the music for an animated Christmas special has SOS contributor Paul Ward hastily upgrading his studio and exploring the deepest recesses of his synth collection, in search of sleigh bells and singing reindeer patches...
Paul White plugs his very real guitar into a virtual amp and gets down to playing some unimaginable music.
Paul White returns from the land of the rising Sterling with tidings of a whole new range of Yamaha hi-tech and pro audio products.
Audio interface, control surface, monitor controller — the Alesis Master Control does it all. Could it be the perfect companion to your DAW?
Martin Russ's Studio 5LX has changed the way he runs his studio. In the first of this two-part series, he explains how to set up a multi-port MIDI interface, and reveals some of the ways in which these useful devices can simplify your life.
Combining Focusrite's cutting-edge preamplification and A-D conversion with Sintefex's pioneering convolution technology, the Liquid Channel can mimic the most celebrated mic preamps and compressors ever designed. Could this be the only voice channel you'll ever need?
Tape saturation is the latest thing to get the physical modelling treatment. Can two high-powered DSPs, however, really achieve the same effect as a strip of rust being dragged over a magnet? Paul White investigates.
With fader controllers, you often have a choice of buying something dedicated to one software package, or selecting a generic unit that gives versatility at the cost of tight integration. Digidesign's Command 8 aims to offer the best of both worlds.
Sweetening the mixing environment and sorting out the bass end is this month's task — but there's much more to do than adding a bit of rockwool!