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This year’s Glastonbury Festival boasted a recording studio built of straw — complete with 24‑track tape and grand piano. SOS followed Joe Leach’s project all the way from blue-sky thinking to muddy reality.

We get creative with Live's often overlooked Gate processor.

The MPC has always been about its fast, hands-on interface — can a touchscreen make it even better?

Passive ribbon mics can be fussy about what they’re plugged into, which is why AEA have made this active version of their popular R84.

Hollywood Solo Instruments puts world-class violin, cello and harp sounds at your fingertips.

The latest version of iZotope’s RX adds some interesting features — but do they have musical applications?

With a large, well–equipped control panel and a gratuitously laden effects rack, the JDXA could be Roland’s most ambitious, hands–on synthesizer in many years.

Engineer and producer Dani Castelar accompanied Paolo Nutini through three years and 11 studios to make his acclaimed new album Caustic Love.

What do you get when five American jazz musicians lock themselves in the studio with a collection of Steeleye Span albums? Through a series of reinventions, Midlake have won critical applause for their music and plaudits for their self-production skills.