
Sounding Off: David Ricard
The thrill is gone: or why buying gear aint what it used to be...
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The thrill is gone: or why buying gear aint what it used to be...

Paul Weller's latest album was brimming over with musical creativity. The challenge for mixer Jan Kybert was to forge a coherent album from a mass of ideas.

Thanks to MIDI, modern musicians can achieve effects that would have seemed nothing short of magical only a few years ago — but it can still seem like mumbo jumbo to the uninitiated. Regular SOS contributor Paul Ward believes it could be so different with just a little standardisation.

The jobs done by DACS latest high-quality problem solver are essential, if not glamorous. Could the HeadMaster take charge of your studio?

Great backing vocals can be essential if you want to turn a promising track into a superb one — so find out how to get them right every time.

As well as creating some excellent new plug-ins and making operational improvements, Cakewalk have been working hard to make Sonar 8 the most CPU-efficient version yet.

In its new Direct Note Access, the latest version of Celemony's Melodyne introduces what might just be the most hotly anticipated piece of music technology ever. Will mixing and remixing ever be the same again?

1973's 'The Most Beautiful Girl In The World' was one of the defining moments of the Nashville sound, and was the product of a finely-honed studio recording process.

Recording a large orchestra can be fairly tricky, even in the most well-equipped of studios, but trying to get a great sound on location, using only the gear you can fit into your car, adds challenges all of its own.

Most synths now boast an infinite variety of sounds, but what the manuals don't tell you is that you need an infinite amount of time to explore them properly. Paul White suggests some short cuts to synth heaven.

As producer, engineer and mixer, Andy Wallace has done more than anyone to define the sound of modern rock and metal.

Most of us cannot afford to have Tony Maserati mix our tracks — but thanks to Waves, we can now use his personal effects and processing chains in our own mixes.

We explore some of the most common causes of mix failure we’ve tackled in our monthly Mix Rescue column. Banish these demons and you’re most of the way to a devilishly good mix! Here are ten reasons why your mixes don’t work — and what you can do about it!

Maschine’s MkII hardware gets a Technicolour make-over, while its software increments to v1.8...


It lacked most of the features we'd expect from even a basic synth, but this rare Italian keyboard had a charm all of its own.

Reviews/appraisals of the latest sample CDs: VSL Chamber Strings 6* • VSL French Oboe 6* • Zero-G Akoustik Bass Hitz 6* • PMI Consolidated! 3*

Complex tasks of all kinds can be done quickly and easily with Logics Transform window.

Prefab Sprout rose to fame in an era of indulgence and eye‑watering studio budgets. These days, things are a little different...

Some pieces of bad advice just won't die, no matter how unhelpful they are. Here's why you shouldn't believe everything you read on the Internet...