SOUND ON SOUND
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In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment — and took full advantage.
Now considered one of the classic tracks of the 1960s, the Zombies’ ‘Time Of The Season’ almost disappeared without trace...
When the Clash entered the studio for the first time they were determined not to sacrifice their punk principles, and the fates — not to mention a sympathetic engineer and a negligent record company — were on their side...
A combination of modern technology and skilled engineering has allowed Chicago’s landmark festival performance to be released, almost 50 years after it was taped.
To make a splash with a new season of musical drama Nashville, the producers opted for a high-risk strategy: live music segments, performed as the show aired.
Brian Heywood considers the role of affordable 'PC plus soundcard'-based digital audio recording systems, and considers whether such systems could ever mean the end of dedicated hard disk recorders...
What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out...
A project that was started to help unsigned bands show solidarity with victims of the Paris attacks has grown to unite musicians, artists and film-makers from around the world. And it’s not finished yet...
The same pitfalls present themselves time and again in project-studio recording. Learn to avoid them and your tracking sessions will be transformed!
Recording the centrepiece of Spiritualized’s celebrated space rock masterpiece took engineer Darren Allison on a trip into the unexpected.
The success of Slaves’ debut album depended on producer Jolyon Thomas finding a way to bottle their raw live energy.
The success of Deftones’ Gore album is reward for the band’s restless experimentation — and for the work of engineer, producer and mixer Matt Hyde.
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
Find out how Sonar’s new Lens feature can help you streamline the user interface for the task at hand.
Under the guidance of Rick Rubin, Black Sabbath returned to their roots. Mixed by Andrew Scheps, the resulting album topped charts worldwide.
When cult funk band Cymande returned to the studio, they insisted on hiring the same production team — 41 years after their previous album...
Coldplay’s unlikely alliance with R&B hitmakers Stargate resulted in a truly trans–Atlantic production, which saw co–producer Rik Simpson clocking up plenty of air miles!
When Grammy-award winning producer Liam Watson met country-folk singer Pete Molinari, they discovered a shared love of '50s country music, and decided to make an album that would hark back to the glory days of Nashville recording.
PJ Harvey’s long-term co-producer John Parish is uncompromising in his willingness to experiment — even with the world watching!