SOUND ON SOUND
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Coldplay’s unlikely alliance with R&B hitmakers Stargate resulted in a truly trans–Atlantic production, which saw co–producer Rik Simpson clocking up plenty of air miles!
PJ Harvey’s long-term co-producer John Parish is uncompromising in his willingness to experiment — even with the world watching!
The Lemon Twigs not only draw their musical inspiration from classic power-pop; they’ve also learned to record using authentic ’70s gear and techniques.
Brian Heywood considers the role of affordable 'PC plus soundcard'-based digital audio recording systems, and considers whether such systems could ever mean the end of dedicated hard disk recorders...
Under the guidance of Rick Rubin, Black Sabbath returned to their roots. Mixed by Andrew Scheps, the resulting album topped charts worldwide.
How do you extract a complete album from a dysfunctional band with no finished songs? Drag them to a remote residential studio — in winter...
Grammy-winning producer Ian Brennan discusses his approach to working with unique artists in outdoor locations around the world.
Half the battle in capturing a great electric guitar sound lies in understanding problems with the instrument itself — and solving them quickly.
Bob Dylan’s album of Sinatra covers is an unlikely triumph. So good, in fact, that it didn’t need mixing!
When Grammy-award winning producer Liam Watson met country-folk singer Pete Molinari, they discovered a shared love of '50s country music, and decided to make an album that would hark back to the glory days of Nashville recording.
One of the biggest albums of 2012 was recorded in one of the smallest studios — Andrija Tokic's house in Nashville, Tennessee...
The fact that they achieved little commercial success didnt stop the New York Dolls from making one of the most influential albums in the history of pop music.
Tomorrow's pioneering paean to the joys of communal public transport has proved to be a classic of the British psychedelic underground.
For his third album with Shania Twain, reclusive production legend Mutt Lange introduced an ambitious concept: different mixes and instrumentation for different markets. And as engineer Bob Bullock found, even the 'country' version left Nashville and its conventions pretty far behind...
The 1975's chart-topping album is just one of a string of hit debuts engineered, mixed and produced by Mike Crossey.
Their latest album saw Aerosmith return to their roots, with Jack Douglas in the producer’s chair. But it wasn’t all retro...
This bonus content accompanies the Crafting Loud Mixes article.
Originally intended for another group, ‘Kiss’ was quickly reclaimed by Prince when he heard David Z’s arrangement. Despite record company scepticism, the track became his third number one single and rejuvenated his career.
Begun as an experiment, ‘Sweet Dreams’ launched Eurythmics to international stardom and is still filling dancefloors to this day.