SOUND ON SOUND
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Performed live and filmed in a single take, Justin Timberlake’s ‘Say Something’ is one of the most ambitious music videos ever made.
With a stellar line-up of producers, engineers and co-writers behind her, Lana Del Rey appears to be unstoppable...
When recording drums, sometimes it’s best to go with the ‘safe’ options — but occasionally there’s time to experiment!
IK’s flagship suite of plug-in processors continues to grow, with the addition of a channel strip and several handy multi-band modules.
Is mixing on a large analogue desk still worth the trouble? For George Seara and Shawn Mendes, it seems to be working out quite well...
Musically, Rod Stewart’s latest album harks back to ’70s folk-rock, but its writing and production were totally 21st Century.
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.
The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.
Kendrick Lamar’s To Pimp A Butterfly is one of the most ambitious hip-hop albums of recent years. Derek Ali was Lamar’s right-hand man during its making.
As producer, engineer and mixer, Andy Wallace has done more than anyone to define the sound of modern rock and metal.
With thumbprint data security and track counts in the thousands, the scoring process for sci‑fi movie Divergent was close to science fiction itself!
When an unknown act such as Sam Smith hits the big time, there's often an experienced producer behind the scenes — like Steve Fitzmaurice...
The film of Led Zeppelin’s reunion concert was five years in the making — yet Alan Moulder had only three weeks to mix the entire soundtrack!
Jamie Cullum's sixth studio album, Momentum, sees the British pianist and singer further expanding his stylistic palette.
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
Phil Collins began recreating the classic Motown sound as a form of therapy. With the help of engineer Yvan Bing, the results gave Collins his first number one album in 17 years.
The multitracks for Evanescence’s third album were so big that they required two maxed-out Pro Tools rigs to play back!
Digital Performer has a great range of features to help you avoid and clean up noise in your recordings.
OneRepublic's route to the top has been tortuous, and their massive hit 'Stop & Stare' was actually recorded more than three years ago. Engineer and mixer Joe Zook recalls the sessions.