SOUND ON SOUND
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
Although it features a familiar analogue-style control interface, the CLX440 has a digital interior that allows it to offer advantages such as a 'Look Ahead' facility more commonly found in plug-in processors.
A stereo compressor offering the classic dynamic characteristics that only an optical design can provide.
TL Audio's successful Fat 1 stereo compressor now has a new sibling with its own built-in mic preamp. Paul White delivers the SOS verdict.
The new compressor in Focusrite's Platinum Range offers pre-programmed settings for ease of use, whilst still incorporating extensive manual parameter control. Paul White gets to grips with the Penta.
Paul White changes his manual-gearbox compressor for an automatic model to see whether performance or economy suffer.
Hugh Robjohns tries out a new stereo valve compressor hand-built in Britain, which shines both in the studio and the mastering room.
Although the Dbx product portfolio is growing rapidly with new digital products, they haven't forgotten about the sonic advantages of more traditional technology — hence their new Silver series of affordable 'classic' processors. Hugh Robjohns gets to grips with the 566 valve compressor.
BSS are well known in the live sound market, but some of their well-specified gates, EQs and compressors are equally at home in a recording environment. The DPR944, for example, has two gates and two parametric compressors, with independent ins and outs. Hugh Robjohns is impressed.
Paul White finds the best of both valve and solid state worlds in TL Audio's latest compressor.
We test ART's two compact tube processors to see if they sound bigger than they look.
Does the DPR422 have the right combination of price and performance to break BSS into the project studio market?
Paul White finds out whether a blend of valves and photocells really can deliver the ultimate vintage compressor sound.
SPL claim to have come up with a completely new type of compressor. Paul White puts their assertions to the test.
Paul White tries his luck on the green and finds that where voice channels are concerned, this box is a whole in one.
The first in Drawmer's new budget range of processors aims to give you high-quality gain reduction at a compressed price. Paul White comes to the conclusion that they've got the balance right.
Richard Waghorn takes ART's new electro-optical compressor into the studio and is genuinely surprised at the result.
This UK-designed and built processor offers two channels of easy-to-use compression and gating for under £200. Paul White's backing Britain.
The Joe Meek Pro Channel is priced within reach of almost every studio owner, yet it delivers the same kind of sounds as its bigger brothers. Paul White is introduced to the baby of the Joe Meek range.