
ARP Odyssey
For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...
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For the synth afictionado, the ARP Odyssey is up there with the Minimoog in terms of its power and sonic quality. Gordon Reid explains why he loves his Ody...
Rather appropriately, we round off this series by looking at what you need to consider when composing music designed to play while the end credits roll...
Sheryl Crow's rise to the top has seen her use — and lose — the talents of a lot of people behind the glass, from world-famous producers to unknown songwriters.
Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...
The band Quinn, comprising multi‑instrumentalist and studio wizard Alistair Cook and singer/songwriter Louise Quinn, have recently joined the growing number of SOS readers setting up small studios and independent record labels.
Country Music's greatest showcase, the Grand Ole Opry, is a bastion of traditional values — and the home of some seriously advanced technology. Step inside...
Having explored the way monophonic and duophonic analogue keyboards work, Gordon Reid puts away his Minimoog and Odyssey and descends into the complex world of polyphonic synths to a flourish of complex jazz chords.
The GM, XG and GS sound specs are frequently derided for imposing boring uniformity on the synth universe — but in fact they contain many unusual sounds. Dave Stewart, a man who knows a gopi-yantra from gankogwe, sheds light on some of the lesser-known instruments in the General MIDID set, and provides some useful playing tips.
Most people knew that Gary Barlow was the songwriting force behind boy-band stars Take That, but his long-term interest in production and recording is less well documented. Now recording and co-producing his second solo album, he looks set to put the memory of his former band far behind him. Matt Bell pays him a visit at his impressive home studio.
If your bedroom studio is more bedroom than studio, you might think that recording bands is beyond your powers. But where theres a primary school, church hall or industrial unit, theres a space you can use...
This month, get the most out of your meters, locate that missing patch, beef up your bass, and discover the hidden EQ bands in your console.
One of the all-time classic microphones gets a 21st-century makeover.
Just how does 'stereo' work? And how can you manipulate a stereo audio signal to your mix's advantage?
The monotimbral K-Station offered keyboard players an affordable Novation -- but now, for a bit more money, the company have released the KS4 and KS5, which add plenty of new features, better keyboards and multitimbrality. The perfect marriage at the perfect price? We find out.
The addition of woodwind and percussion libraries rounds out Sonic Implants' Complete Symphonic Collection, bringing their three-year symphonic project to a close.
The latest SoundBlaster from Creative Labs benefits from Emu synthesis power. Steven Helstrip checks it out and finds a PC soundcard with a bit more class.
A whole world of free, inexpensive or just plain great VST plug-ins opens up for DP 4 users who also run FXpansion's indispensable VST to AU Adapter. We check out how it works and round up some DP news and tips to boot.
Some of the legendary names in engineering and production didn't just make great records — they also invented equipment and techniques we take for granted today.
The HR-series monitors have been hugely popular, but Mackie have still managed to find room for improvement.