
Studio SOS: Improving Your Workspace
In another exciting installment of our studio 'makeover' series, the team rotate Bella Saer's entire setup through 90 degrees in search of a more effective working environment.
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In another exciting installment of our studio 'makeover' series, the team rotate Bella Saer's entire setup through 90 degrees in search of a more effective working environment.

The SOS team return to Cambridge, turning another home studio upside down in search of improved vocal and guitar sounds.

If there's one thing most of us would like to know, it's how to make some extra money — and if we can do it through making music or producing audio, so much the better!

A new wave of dedicated DSP cards is helping computer musicians boost their plug-in power. The latest to appear is Universal Audio's UAD1, which offers recreations of vintage compressors as well as a high-quality reverb.

Cutting-edge innovation is by no means a guarantee of commercial success, but Korg have had a flair for both - although not always simultaneously. We look at how this continued to be true throughout the '90s to the present, when the company pushed the boundaries of physical modelling while refining their world-beating workstations.

Gareth Cousins talks to Hugh Robjohns about the craft of recording music for film, and his work on the recent British blockbuster Notting Hill.

Working from a small studio in Quebec, Canada, Pierre Marchand has been responsible for some stunning production work, most notably with songsmith Sarah McLachlan. Paul Tingen finds out how he successfully mixes a technological approach with live performances to create his organic intimate sound.

Groundbreaking Southern rap duo Outkast head into 2004 with a fistful of Grammy nominations and a chart-topping double LP to their name. Their principal engineer and studio manager John Frye pulls back the curtain on one of the year's best records.

SOS meet the owners of another home/project studio.

A heady blend of world music, dance and Irish folk, Afro Celts' music has been heard on film soundtracks and festival stages across the globe. Their latest album Seed was the first to be produced in their own studio, built in the Britannia Row premises that were once the home of Pink Floyd.

Appraisals of the latest sample CDs: Alma Flamenco • A Funky Future • Vienna Overdrive • Cuckooland Completely Bonkers.

What does it take to make a Firewire audio interface stand out from the crowd these days? How about eight mic preamps, 26 channels of I/O at 24-bit/96kHz and some heavy-duty routing functionality...

Most of us are aware that sticking on a favourite CD can cheer you up after a terrible day, but many baulk at the concept that music can actually help to heal your mind and body, despite the growing evidence to support this theory. Debbie Poyser & Derek Johnson investigate, and meet a man whose music is composed with the intention of making you feel a whole lot better...

Fancy owning an instrument which used to belong to keyboard legend Keith Emerson? Gordon Reid gets a sneak preview of part of Keith's collection, now up for sale, and chats to Keith about his spring clearout and his current projects.

The idea of selling music over the Internet has become hugely popular — but many musicians remain worried about issues such as copywright and publicity for their work. Paul White puts these concerns to the founders of Peoplesound.com, one of the best publicised on-line record companies working with unsigned artists.

We covered the basics of score production last month; now it's time to learn more about presentation, with the aim of creating scores that really look the part.

Few things are more frustrating than unwanted clicks and pops in your recorded audio. But what are the main causes, and how can they be eliminated?

Gordon Reid gets twiddling with two small but perfectly formed analogue units aimed at the pockets — literally — of today's aceed‑hungry dancemongers.

Like the idea of having all your hardware synth sounds in a software sampler, but can't be bothered to do the necessary programming? Fear not, Sample Robot will do it for you...

U2 have always striven for a new sound on each of the records they make, and during the sessions for their latest album, their aim was once again 'to construct a new sound for U2 whilst still making them sound like U2'. To this end, they brought in production wizard Flood and Scottish dance artist Howie B and set about new methods of recording. Paul Tingen investigates the art of Pop...