SOUND ON SOUND
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Two men, a girl and an electrical appliance meet under strange circumstances in the Swiss Alps. Ted Fletcher reports.
Tori Amos may not yet have attained the same status in the UK that she enjoys in the US, but that hasn't stopped her setting up her own studio in a quiet corner of Cornwall. On the eve of her forthcoming 200-date tour, Hugh Robjohns talked to Mark Hawley & Marcel Van Limbeek about recording Tori's latest album and engineering the live tour.
Gary Garritan's powerfully expressive solo violin instrument features some impressive technical innovations. Will it create a new generation of virtual Paganinis?
Having served up convincing hardware emulations of the legendary Minimoog and Prophet V analogue synths, Creamware turn their attention to the mighty Hammond B3 organ.
Paul Tingen catches up with the musical innovator and legendary force behind BeBop Deluxe at his minimalist home studio, and finds him producing more music than ever before.
Music mythology has it that real drummers are illiterate, beer-swilling louts with about as much musicality as a dead dog. Nevertheless, it can be hard to find an acceptable substitute. Sam Inglis offers a few pointers.
With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?
Drawmer's 1960 series leaps into the digital age with the launch of the 1962, which combines a specially designed low-noise preamp, variable tube coloration and audio-sweetening tools with an optional 24-bit output stage. Paul White celebrates the year of the tube.
In the '70s there was Eno's ambient music. in the late '80s, there came the Techno sound of Detroit. Over the past two years, there has been talk of 'Ambient Techno'. But what is it? Mark J. Prendergast explains, and speaks to four influential creators of Ambient Techno about how they produce their music.
With Portishead's much acclaimed Gold selling debut album, Dummy, riding high in the charts, the West Country finally have an act to make a song and dance about. Jonathan Miller gets the low down on fame, fortune and M16 from co-producer and band member Adrian Utley, a man of many talents.
Hardly a week seems to go by without the announcement of another VST instrument, and virtual analogue software synths have been particularly common of late. But when a company like TC Works get involved, it's worth taking notice. Paul Ward plugs in...
The team create portable acoustic treatment for a TV/film music composer who has plans to move house.
It's over five years since Native Instruments released the original version of their flagship soft sampler, and its third incarnation takes the Kontakt concept even further, with a streamlined user interface, a new waveform editor and a massive sample library.
Big George Webley has survived as a media composer for over a dozen years. He learned the following lessons the hard way; you get them free!
The follow-up to Clavia's Nord Lead 3 is not the Nord Lead 4 (well, not yet), but a beefed-up version of the Nord Lead 2! We find out why, and how it improves on the original.
In the first part of a two-part series, Gordon Reid charts the rise of EMS and their creation of the world's first self-...
Software and hardware developments have made the 'studio in your PC' concept increasingly attractive, but many prospective users are put off by concerns about sound quality, timing, and the difficulty of adapting existing sample libraries. Many of these issues need no longer cause difficulty, however, as Martin Walker explains...
Recording piano was turning out to be a grand challenge in Clive John's home studio, so the SOS team headed over to sort things out.
Having been one of the UK's most popular rock acts in the early '90s, Thunder found that record labels were no longer willing or able to promote their releases properly. Now they have taken matters into their own hands, using the Internet and new methods of distribution to get their records back in the charts.