SOUND ON SOUND
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RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.
Focusrite’s Clarett range offers Thunderbolt connectivity and high specifications at an attractive price tag.
The 2192 takes an array of versatile digital interfacing, conversion and clocking features, and adds a hint of unexpectedly analogue character...
If you’re looking to upgrade your home or project studio in the next few months, it’s probably worth...
M-Audio had their new active nearfield monitors, the Studiophile DSM1 and Studiophile DSM2, which have been...
Apogee's new master clock includes their latest clock-regeneration technology, which can synchronise to even very poor-quality clock sources.
Every studio musician knows at least enough about analogue connections to get a standard recording system up and running. When it comes to digital, though, we're often in the dark about what will work with what. Hugh Robjohns raises the digital standards.
The Red 8Pre is the new flagship of Focusrite’s audio interface range. Is it their best yet?
It's unusual for SOS to look at CD players, because, although most of us own at least one, they are usually...
The much-anticipated Hercules 1612FW Firewire interface supplies an impressive quotient of analogue I/O at a very attractive price.
Apogee’s Symphony interface has been Thunderbolted, touchscreened and released back into the world as the Symphony MkII.
There's more to loudness than meets the ear — and after years of research, TC know more about that than most.
Over the last few months, Tascam have released three new solid-state audio recorders, joining a handful of products...
Press Release: TASCAM, the brand synonymous with professional recording products, today...
Continuing his series on setting up a recording environment based around a Mac or PC computer, Paul White goes through the hardware and software options for recording audio alongside your MIDI tracks.
With eight new Air preamps and two-way ADAT connectivity, could this be the best way to expand your audio interface?
Dave Hill’s uncompromising converter design focuses on making clock jitter as low as possible, with impressive results.
It’s an audio interface. It’s a digital mixer. It’s an eight-way microphone preamp... but how well does the US20x20 perform in use?