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The major audio and MIDI recording applications are slowly migrating to Mac OS X, and the latest to arrive is Digidesign's Pro Tools. The upgrade also introduces powerful new project management features, Groove Template functionality and a more powerful LE version.

Paul White goes into economy mode and tries to coax an extra degree of realism out of a budget studio reverb unit.

Combining their vast live sound experience with the success of their 328 digital mixer, Spirit have launched a specialised version of the desk, intended for live sound work. The new 324 model, however, is also well adapted to recording, so Hugh Robjohns checks it out in both applications.

There are now lots of different ways to make a stereo master recording of your final mix, so how do you work out which one is best for you?

Not all PC problems are down to software, and a huge range of difficulties - from occasional glitches to complete system failure - can actually be caused by hardware faults. Here's how to diagnose and cure some of the most common.

The German team behind the inexpensive MARS have been responsible for several SOS-reviewed products in the past, although the MARS is the first under their own brand name Vermona. But is it more of a Trabant than an Audi?

Writing the words to songs is often thought of as a process of pure intuition, but there's a lot more to it than that. In the first part of a new series, Sam Inglis suggests an alternative way of going about it.

Following the success of their recent 'Best Of' album, James first single for over a year was much anticipated — especially as it saw them renew their relationship with production legend Brian Eno. Tom Flint reports

Roland's new guitar synth is their most affordable yet, but could it also be the best?

Reason mixes can sound superbly fat and punchy, thanks to the array of tools the software puts at your disposal. We adapt some traditional mixing know-how to the Reason platform and offer device-specific tips to help you improve your mixes.

This American classical composer writes rock songs as well as concertos and has a home studio complete with contemporary synths and a computer-based sequencer. Paul Tingen talks to him about the best of both worlds.

If you'd love a modular synth, but couldn't possibly afford a real one, it's possible that virtual salvation is at hand.

Derek Johnson collects £200 as he passes 'Go' on his tour of one of Korg's more obscure vintage boards.

Yamaha have taken a weighted keyboard from their latest digital pianos, added high-quality piano samples and Motif sounds, and thrown in a playback sequencer and arpeggiator, and master-keyboard facilities. Left to simmer, the S90 is the result...

These days, samplers are the electronic musician's bread and butter — but they need not be used in commonplace ways. In the first part of a short series, Nicholas Rowland looks at ways to spice up your tracks with samples from unusual sources.

Jazz saxophonist Courtney Pine is breaking down the barriers between acoustic and electronic sound generation, marrying jazz with modern forms such as hip hop in a cross-genre partnership which is partly forged in his own home studio. Paul White hears some Modern day jazz stories.

The Virus TI promises to bridge the divide between hardware and software instruments, and create a world of Total Integration, while still offering the classic Virus sound. Is it a hard reality, or have Access gone totally soft?

Ableton's Live allows the user to create and record musical performances by combining sampled loops in real time, with high‑quality pitch‑shifting, time‑stretching and audio effects.

In their eagerly-awaited new flagship synth, Roland have harked back to the sampling technology of their respected S-series samplers, as well as adding some contemporary touches to equip it for the 21st century. Gordon Reid assesses past, present and future.