SOUND ON SOUND
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Sound Particles have just added a new Metadata Automation function to their their recently launched Beat Panner plug-in, making it possible to copy the ‘movement’ generated by the plug-in and apply it to object-based tracks in immersive sessions.
Peak Tamer is a new standalone application that automatically applies gain automation to keep rogue peaks under control in an effort to avoid distortion, pumping or other unwanted artefacts from being introduced by dynamic processors during mastering.
Rhodes' latest virtual instrument captures the sharp attack, expressive response and rhythmic character of an instrument that helped define the sound of countless funk, soul, disco and rock records.
Following on from the launch of the 500-series version of their BAX EQ unit, Dangerous Music have now teamed up with modelling experts Acustica Audio to create an officially licensed plug-in.
Harmonic Piano captures the sound of a pair of two grand pianos played without lids, and with a finger lightly placed around a quarter of the way down each string!
Eddie Bazil explores a range of advanced effects techniques, using practical audio examples to demonstrate creative combinations of delays, reverbs, harmonisers, flangers and phasers.
The legendary British console makers have a new flagship model for pro studios. Highly configurable. Mightily impressive. Is this the future of analogue?
We check out the latest of Accentize’s excellent dialogue restoration tools.
ART have a reputation for delivering great bang for buck, and this ‘Multivoice’ compressor is no exception!
Arturia’s software version of the Memorymoog may be better than the original...
The Faderpunk is much more than just a control surface...
Are you ready to try something a little different inside your bass drum?
Cubase Pro 15’s new stem separation tool can breathe new life into old projects!
Edgy, aggressive midrange can make for uncomfortable listening. Four top engineers explain how they get harshness under control — and how to get the best from Oeksound’s Soothe plug‑in.
HEDD’s Mk2 monitors and BASS subs now benefit from comprehensive remote control.
American record producer, mixer and engineer Sylvia Massy is well known for her experimental approach to sound recording, and her work on Tool’s ‘Disgustipated’, from the Undertow album, is a prime example.
Imersiv’s claims to have delivered a revolution in D‑A conversion technology aren’t mere snake oil: the D‑1 outperforms every other current DAC by a huge margin. And, importantly, the differences are audible...
New music tech products often aim to democratise music‑making. But there’s a fine line between democratisation and dumbing down...
We put Logic’s new Studio Piano instrument through its paces.
McDSP continue to find new ways to harness their configurable analogue plug‑in co‑processor.