SOUND ON SOUND
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When it comes to remote Atmos collaboration Source‑Connect 4.1 is currently the only game in town.
ADAT‑equipped audio interfaces are a blessing if you need more channels, but the choice can be overwhelming. We round up some of the best eight‑channel offerings.
There’s more than one way to comp the perfect take in Studio Pro...
With Xiu Xiu, Berlin‑based American artist and producer Jamie Stewart has for over two decades been at the vanguard of experimental‑leaning indie rock.
A classic effects unit is reborn in plug‑in form.
Why choose between different saturation plug‑ins when you can blend between different sounds to taste?
What if someone were to lavish money, time and considerable engineering know‑how on improving Neumann’s highly revered cutting‑lathe EQs — could they really be improved? The answer is a resounding “yes!”
Zero‑G have reimagined their Morphology library as an instrument for ‘Evolving Soundscapes and Dream Synths’.
AI music generation services are trained on a vast library of existing music. We explain how the process works, and what you can do to keep your own tracks from being assimilated.
Twenty‑five years is a long time in software, but NI’s Absynth is still with us, still green and still a force to be reckoned with.
Looking back into history led me to a musical genre that had indie‑rock familiarity, whilst opening up a world of blissed‑out ethereal soundscapes that I never knew were possible!
Softube bring hands‑on control to their Flow mixing and mastering concept.
As of 25 June 2026, almost the entire Mac and iPad line-up has been subjected to worldwide cost increases, along with a number of the company’s home and consumer devices.
For their latest release, Shy Audio have recreated the ‘crunchy’ sound of a rackmount compressor that found its way onto countless 90s techno, house and hip-hop records.
The latest version of Rapid Flow’s hardware-emulation synth plug-in expands on its predecessor with a new impulse-response reverb engine, new side-chaining capabilities and a chorus effect inspired by the much-loved Roland Juno.
Following a long audit process, the Focusrite Group have published their 2026 sustainability disclosures, which are available in three separate reports alongside their usual annual report and accounts documents.
Waveform 14 introduces an all-new LLM-driven AI Assistant feature along with a refreshed GUI, multi-channel audio routing and extended ARA2 support.
Evolve Dark Matter is a sample-based synth that’s capable of creating “sub-rumbling drones, tectonic low-end textures and ominous soundscapes”, drawing inspiration from artists such as Skrillex, Burial and Jon Hopkins.
EVE Audio’s new control software offers everything from volume control and input selection to delay, sensitivity settings, smart filters and advanced equalisation, making every essential parameter available through an intuitive, streamlined interface.