
Digitech Studio S200
Sitting in Digitech's Studio range between the S100 and the Quad 4, the new S200 combines the functions of the former withthe ergonomics of the flatter. Hugh Robjohns checks it out.
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Sitting in Digitech's Studio range between the S100 and the Quad 4, the new S200 combines the functions of the former withthe ergonomics of the flatter. Hugh Robjohns checks it out.
Although it's less than a year old, Opcode's highly useful Studio 64X multi-port MIDI interface and patchbay has been redesigned to incorporate even more features (including a wide range of synchronisation facilities), and has re-emerged from its refit as the Studio 64XTC.
Most SOS readers seem either to be setting up a studio or refining their existing setup, and could save money and hassle by doing much of the wiring and installation themselves. We explain how.
With Sound Studio Gold, Evolution refuse to let budget sequencing mean budget features. Martin Walker examines a grown-up package at a baby price.
Paul White braves the slings and arrows of his outrageous PC in the good cause of testing a MIDI + Audio sequencer designed with the guitarist in mind.
Digitech's Quad 4, like its predecessor, can treat up to four signals independently, parcelling out its processing power according to your requirements. Could this be the only multi-effects unit you need? Hugh Robjohns finds out...
Fancy doing some hard disk recording on your computer without using a soundcard? Martin Walker looks at an intriguing combination of mixer and USB interface that could let you do just that.
Offering an integrated MIDI + Audio sequencer and hardware controller with motorised faders, StudioMix mimics some of the features of high-end digital audio workstations — but at under £800, how good can it be?
Not everyone can justify building an acoustically treated, soundproof studio, but with a little effort and ingenuity, you can often make significant improvements to the room you already have at very little cost. Paul White presents a few ideas.
The fist release in Opcode's new studio 'X' series is designed to help you sort out your MIDI studio, whether it's based around a Mac or PC. Martin Russ finds out whether it has the right connections.
Derek Johnson takes a look at two 88-note master keyboards that provide piano-like feel without breaking the bank.
The September 2005 UK/EU edition of SOS is on sale from Thursday the 18th of August and includes the free quarterly Sound On Sound LIVE supplement, packed with live sound gear news, reviews and techniques.
Keen to get into PC hard disk recording? Samplitude Studio, the top of an impressive range of programs from German manufacturers SEKD, is one of the cheaper options available — but it's certainly not short on features. Panicos Georghiades and Gabriel Jacobs are mightily impressed...
Having decided to construct a studio for their own use, Damon Albarn of Blur and his collaborators Tom Girling and Jason Cox chose to create an environment as unlike a typical commercial studio as possible. And then they fitted it with perhaps the most bizarre assortment of equipment ever collected together...
It's quite possible to equip a home studio without going anywhere near a computer and software. David Mellor takes the hard line.
David Mellor looks at the roles of computers in the modern studio.
SOS begins an in‑depth series on practical studio design. This month, the emphasis is on measures you can take to soundproof your studio or practice room.
In the first part of this new series, David Mellor gives his personal slant on creating a studio that will stay with you as your recording skills and budget improve.
As SOS starts its 21st year, Editor In Chief Paul White casts an eye over the past 20 years.
Recording a real piano can feel like a lost art, given the number of high-quality sample libraries around these days. For those times when only the real thing will suffice, here's how to do it justice.