SOUND ON SOUND
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Focusrite have announced their Liquid Saffire 56, the highest-spec unit in their range of audio interfaces for PCs and...
It may be small, but the RME Fireface UC is very powerful and boasts astonishingly low latency.
Emu's APS system takes the company into soundcard territory, but with a comprehensive spec that even includes studio-quality mic amps. Martin Walker tries out this all-in-one experience.
Hugh Robjohns tries out Roland's updated digital monitors.
Prism Sound's Orpheus interface brings the company's highend digital conversion technology within reach of the project studio owner for the first time.
Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.
I read with interest Paul White's FAQ in last month's SOS about digital audio. One of the questions was whether...
When Metric Halo launched their Mobile I/O Firewire audio interfaces in the early 2000s, they promised the range would...
Apogee have a long association with state-of-the-art digital converters. Hugh Robjohns investigates two of their latest 'affordable' models, the fully equipped PSX100 A-D and D-A converter and its simpler derivative, the Rosetta A-D.
This compact unit from Apogee offers high-end preamplification and conversion, along with a clutch of useful processing, monitoring and output facilities.
Paul White tests Yamaha's new rival to the Pod and J Station modelling guitar preamps.
Put simply, if you want to send lots of audio inputs into your computer simultaneously, but don't want to pay too much for the privilege, the US1641 could be exactly what you're looking for...
The world is simply teeming with audio interfaces these days, so what does M‑Audio's latest offering, the Fast Track Ultra, have that the others don't?
At Musikmesse, Steinberg were showing three new hardware products — two interfaces and a desktop DAW controller...
There are many companies making interfaces for Pro Tools HDX systems these days — but straying from the Avid path carries some risks.
Could Steinberg’s mid–sized USB audio interface provide the perfect package for the home studio and music on the move?
With the M902 already lauded as one of the best high-end headphone amps, what could Grace do to make it better?
Focusrite say the Red 4Pre is the pinnacle of their audio interface range. We put it to the test.
This new front end from Roland combines two high-quality analogue mic preamps with digital EQ, dynamics, and physical modelling effects. Plus, you can choose to control it from its front panel or from a computer via USB.