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Metric Halo 2D upgrades

When Metric Halo launched their Mobile I/O Firewire audio interfaces in the early 2000s, they promised the range would...

Published 4/8/08
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Marian Marc 4

MIDI Soundcard

A new selection of soundcards from Germany promises excellent audio quality at extremely competitive prices, with a selection of I/O options to suit most buyers. Martin Walker tries out the first model in the Marian range.

Published March 2001
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Korg Soundlink DRS 168RC

Automated Digital Recording Console

Though digital technology has transformed the nature of synths, effects, and even multitracks, project studio mixers have largely remained steadfastly analogue, breaking the chain which, if complete, would allow your music to remain in the digital domain from sequencer to master.Korg's 168RC forms the heart of a system designed to all but eliminate the analogue signal path, and Paul Wiffen wonders where it's been all his life...

Published December 1996
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Tascam US1641

Audio & MIDI Interface [Mac/PC]

Put simply, if you want to send lots of audio inputs into your computer simultaneously, but don't want to pay too much for the privilege, the US1641 could be exactly what you're looking for...

Published June 2008
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M-Audio Fast Track Ultra

Audio MIDI Interface

The world is simply teeming with audio interfaces these days, so what does M‑Audio's latest offering, the Fast Track Ultra, have that the others don't?

Published May 2008
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Emu E4X

Turbo 128-voice Stereo Sampler

A new expandability has come to Emu's professional range of samplers. Paul Wiffen lifts the bonnet of the top-of-the-range model and finds an e6400 lurking inside.

Published May 1997
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Emu Audio Production Studio

PCI Soundcard System

Emu's APS system takes the company into soundcard territory, but with a comprehensive spec that even includes studio-quality mic amps. Martin Walker tries out this all-in-one experience.

Published January 1999
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MOTU 828 MkII

Firewire Audio Interface [Mac/PC]

Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.

Published July 2004
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Roland DS90A

Digital Active Monitors

Hugh Robjohns tries out Roland's updated digital monitors.

Published June 2000
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M-Audio Studiophile DSM1

DSP Reference Monitors

Built-in DSP extends the flexibility and usefulness of these capable speakers.

Published September 2009
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Avid announcements at NAMM

The audio division of the Avid group, which includes Digidesign, M-Audio and Sibelius, have made a number of...

Published 19/1/08
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Kii Audio Three

Active Monitors

Yes, Kii Audio’s flagship monitors are expensive — but then they might just be the best loudspeakers in the world...

Published January 2017
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Apogee Mini-Me

Two-channel Preamp & A-D Converter

This compact unit from Apogee offers high-end preamplification and conversion, along with a clutch of useful processing, monitoring and output facilities.

Published June 2003
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Apogee PSX100 & Rosetta

High-resolution Digital Converters

Apogee have a long association with state-of-the-art digital converters. Hugh Robjohns investigates two of their latest 'affordable' models, the fully equipped PSX100 A-D and D-A converter and its simpler derivative, the Rosetta A-D.

Published November 1999
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Yamaha DG Stomp

Modelling Guitar Preamp

Paul White tests Yamaha's new rival to the Pod and J Station modelling guitar preamps.

Published March 2001

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