
Avid announcements at NAMM
The audio division of the Avid group, which includes Digidesign, M-Audio and Sibelius, have made a number of...
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The audio division of the Avid group, which includes Digidesign, M-Audio and Sibelius, have made a number of...

Focusrite's Platinum series expands further with an unusually affordable eight-channel mic preamp boasting dynamics on every channel.

M-Audio’s latest audio interface is an eight-input, eight-output device with some clever DSP trickery lurking...

Paul White puts away his expensive toys to try out a couple of low-cost studio effects from Zoom, but does he still have fun?

Built-in DSP extends the flexibility and usefulness of these capable speakers.

Paul White discovers a sensibly priced CD recorder capable of handling any type of recording sessions without throwing a tantrum.

Eight top-class preamps priced within reach of the serious project studio...

Layla, Darla and Gina are the eagerly awaited multi-channel PCI soundcards from Event Electronics, which promise a complete audio solution featuring eight independent outputs. Martin Walker interfaces with Gina — and falls in love.

'Digital loudspeakers' have been available in the hi-fi world for many years, but Genelec have now brought the technology to the home studio market. Hugh Robjohns tries out their new small active monitors and subwoofer.

With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?

How much more can Creative cram onto a single PC Soundcard? Paul White finds out.

RME pass down some of the excellent features of their Fireface 800 to the more affordable 400 model, but have they cut any corners in doing so?

The PreSonus Quantum offers spectacularly low latency and a simplified way of working. Is it the best Thunderbolt interface you can buy?

Lexicon's MX200 offered the innovative ability to integrate with a sequencer host just like an effects plug-in. The updated MX400 goes one better - it does all that, but with dual effects-processing engines too.

Getting the jitters about your digital clocking? Don't know your AES from your EBU? Then read on.

For those wanting to record and mix multiple sound sources on location, could the DR-680 MkII be the best tool for the job?

Emu's first USB 2.0 interface, and their first to offer Mac OS X compatibility, dispenses with DSP effects and complex software front-ends, majoring instead on hands-on controls and practical studio features. Have they hit on a winning formula?

Does TC’s latest post-production tool have anything to offer the music-making market?