SOUND ON SOUND
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We test and report on another crop of highly insertable software Plug-ins: PSP Master Q • TLL Everyphase • Fabfilter Fabfilter One • Cranesong Phoenix • Audiorealism BassLine • Sonic Charge µTonic.
Roland's SC88 could be described as a Rolls-Royce in the world of General MIDI sound modules. So is the new upgraded SC88 Pro a luxurious stretch limo complete with mini-bar and luxuriant walnut veneer? Derek Johnson dons his chauffeur's cap and takes it for a drive...
Christopher Fogel accepted an offer to mix an album by an unknown Canadian, and found himself caught up in the phenomenon that was Alanis Morissette. He tells Nigel Humberstone how he went about recording her without loosing the vibe and spontaneity.
The latest addition to Boss & Roland's SP phrase sampler range, the SP505, is crammed full of sample-editing options and dance/hip-hop-oriented ROM sounds, and continues the current trend towards ever-expanding feature sets.
Another 'through the keyhole' glimpse into a reader's studio reveals how it's possible to turn your hobby into a job, with a TV commission to help you on your way.
In 1984, a dose of British soul resurrected Tina Turner's flagging career in spectacular style. For engineer John Hudson, the recording of 'What's Love Got To Do With It?' also provided a memorable example of the 'less is more' principle in action...
Rather than trying to be a jack of all trades, SAW Plus has made itself a master of one — providing a dedicated multitrack recording and editing environment for digital audio on the PC. Janet Harniman-Cook came, saw, and wrote this review...
The band Quinn, comprising multi‑instrumentalist and studio wizard Alistair Cook and singer/songwriter Louise Quinn, have recently joined the growing number of SOS readers setting up small studios and independent record labels.
With competition hotting up in the DMX R100's sector of the market, Sony have released a major new software upgrade to make their contender stronger than ever.
As an all-round package for multitrack audio editing, mastering and CD burning, Steinberg's Wavelab leads the field. Does the new version 4 keep it ahead of the competition?
In 1983, New Order sold over three million copies of their 12-inch single 'Blue Monday' and it has remained a classic. SOS spoke to producer, musician and New Order fan Roger Lyons, to find out how he helped the band bring the track back to life.
Extra DSP assistance to help your PC's processor cope with effects treatments used to be the province of the pro. Now there's a wide range of DSP-equipped cards to fit all budgets — but many people don't realise the latency issues that might be involved in using some of them.
Ken Nelson favours the old school of recording, based around clean signal paths, live playing and analogue tape — but that hasn't stopped him working with some of the hottest new bands in Britain. Among them are Coldplay, whose debut Parachutes album crashed straight into the charts at number 1. Sam Inglis finds out how it was recorded.
Though it costs no more than last year's TSR24S, Digitech's latest top-line studio processor offers twice the power, an improved user interface, and a digital connections option. Derek Johnson leaps into action.
Nice 4-band equalisers are not uncommon, but this one includes dynamic filtering and equalisation in a bid to lift it above the competition. Hugh Robjohns finds out what 'expounding' can do for your mixes.
Rackmount studio samplers may be pretty much a relic of the past, at least in terms of manufacturers producing new examples, but it's not quite all software and computer RAM yet — not if instruments such as this new one from Korg are anything to go by.
Do you use a software studio with plug-in effects but crave the effects quality that your favourite hardware processor used to provide? Well, you can have the best of both worlds... as this article explains.
Internationally renowned as a producer, recording engineer, and designer of audio equipment, George Massenburg is nonetheless is still in love with the art of music production. Dave Lockwood met up with him in Los Angeles.
With the advance of new technology, PC audio editors have finally reached the point where they can give Macintosh systems a run for their money. Janet Harniman-Cook investigates the possibilities.
This month, we see how Roland survived some tricky times at the start of the 1980s, and how founder Ikutaro Kakehashi ensured that they were well-placed to take advantage of technological developments over the following few years.