
Line 6 Toneport KB37
Aimed primarily at guitarists who need audio interfacing and a keyboard, the KB37 seems to have a lot to offer for the price. We find out how it measures up.
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Aimed primarily at guitarists who need audio interfacing and a keyboard, the KB37 seems to have a lot to offer for the price. We find out how it measures up.

Focusrite have announced the Saffire LE, a more affordable version of their Saffire desktop audio interface.

Echo are the latest soundcard manufacturer to move into the market for Firewire interfaces, and the flagship of their range promises 12-channel analogue I/O with pristine sound quality.

Focusrite's first computer recording interface looks to cover all the bases with plentiful I/O, DSP effects and flexible monitoring arrangements (including surround).

With two market-leading Firewire audio interfaces already part of the MOTU stable, where does the new mobile recording-oriented Traveler find its natural home?

Terratec's range of affordable audio interfaces now includes two attractive Firewire options: the eight-in/out Phase 88 Rack FW and the two-in/four-out Phase 24 FW.

Completing Behringer's B-Control family, the BCA2000 combines audio and MIDI interfacing with routing/mixing features, and preamps — and all for under £200.

The much-anticipated Hercules 1612FW Firewire interface supplies an impressive quotient of analogue I/O at a very attractive price.

After releasing their Remote 25 MIDI controller keyboard, Novation released the Remote Audio 25, rapidly following it with the Remote Audio 25 Xtreme. Now, the X-Station has replaced both of these. Can we disentangle it from its convoluted beginnings?

The latest addition to Metric Halo's Mobile I/O range is, like the existing MIO 2882, now available with a powerful DSP option for running audio processing plug-ins.

Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.

It seems as though every audio card manufacturer is keen to promote high sample-rate audio formats. Terratec's Phase 28 and Phase 26 attempt to do this in PCI and USB formats respectively.

Until now, if you wanted multi-channel or high-resolution audio I/O in a hot-swappable external interface, Firewire was the only way to go. Edirol's UA1000 offers an alternative, using the Hi-Speed USB 2.0 protocol that is standard on nearly all new PCs.

This diminutive device promises instant polish when recording dialogue.

The Heritage Audio Synth Buddy uses only passive circuitry, and that means that it can be used with all manner of unbalanced audio signals, including synths and guitars.

The latest addition to the Soulyft Audio line-up is a gesture-based soft synth that turns noise into soundscapes using a combination of touch control, filters, delay and reverb.

Whether you’re mixing or mastering in stereo, surround or immersive formats, this powerful virtual monitor controller could soon become indispensable.

There’s more to this fresh take on dynamics processing than a groovy GUI!

Newly announced desktop audio interface combines four high-end analogue microphone inputs with real-time, ARM-powered DSP processing.

OLLO Audio’s eco‑friendly headphones certainly stand out from the crowd. Do they sound as good as they look?