SOUND ON SOUND
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The Integra 7 might at first glance seem to be a Jupiter in rack form, but it turns out there’s more to it than that — much, much more...
The PreSonus Studio 192 offers a great deal of functionality for its price. Is this the time to jump aboard the USB 3 bandwagon?
RME have added MIDI I/O and extensive DSP facilities to their well-regarded Hammerfall digital soundcard. Will the new Hammerfall DSP keep its place as a benchmark for audio interface design?
Suffering from signal degradation or mains hum on your audio lines? The chances are that you're having problems with impedance matching or earth loops. However, with a little understanding and some careful planning, these gremlins can be successfully eliminated.
If the best things in life are free, then perhaps Pro Tools 3.4 is one of them — Digidesign are now giving away this version of their Mac audio recording and editing software. Mike Collins looks a gift horse in the mouth.
Price barriers continue to tumble in the soundcard market, as ESI Pro introduce an interface offering four analogue inputs and eight outputs, plus digital I/O, two mic preamps and 192kHz playback, for under £200.
Fostex take their stand-alone 8-track hard disk concept onward and upward, turning the well-received D80 into the D90 with some useful and welcome enhancements. Paul White is d-lighted...
Running two or three soundcards simultaneously can greatly increase the power and flexibility of your PC but it can also lead to serious conflicts. Martin Walker leads you through the pitfalls.
Aimed primarily at guitarists who need audio interfacing and a keyboard, the KB37 seems to have a lot to offer for the price. We find out how it measures up.
Digidesign have given the most affordable interface in their Pro Tools range a makeover, with a new case, new preamps and some additional features.
Sorting digital gremlins and rogue reflections is all in a day's work for the Studio SOS team...
Networked audio is becoming ever more popular and affordable, as with Merging’s Hapi.
As well as bringing 192kHz capability to the project-studio market, ESI Pro's new range of soundcards also features revolutionary drivers which allow the PC user new freedom to route audio between applications.
Focusrite take their Firewire interface range to a new level with the competitively priced Saffire Pro 26 I/O.
TC-Helicon claim that their flagship vocal processor can make you sound like a totally different person. But how well does it work?
Emagic's stylish blue interface reliably squeezes two inputs and six outputs out of the limited bandwidth of USB.
Why are CD recorders like buses? Paul White investigates.
This slimline rack processor makes CEDAR's latest class-leading audio-restoration algorithms remarkably quick and easy to use.