SOUND ON SOUND
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High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality.
Digital technology opens up a world of possibilities when applied to Neumann's classic KM-series microphones.
JoeMeek combine the old and the new in their opto-electronic analogue compressor with 24-bit digital I/O and M&S signal path. Paul White tries it out.
This complex, multi-faceted device offers more than you’d imagine at first glance...
If the best things in life are free, then perhaps Pro Tools 3.4 is one of them — Digidesign are now giving away this version of their Mac audio recording and editing software. Mike Collins looks a gift horse in the mouth.
Fostex take their stand-alone 8-track hard disk concept onward and upward, turning the well-received D80 into the D90 with some useful and welcome enhancements. Paul White is d-lighted...
These active, noise-cancelling pickups employ a radical new construction technique and offer not one, but two classic single-coil tones.
RME have added MIDI I/O and extensive DSP facilities to their well-regarded Hammerfall digital soundcard. Will the new Hammerfall DSP keep its place as a benchmark for audio interface design?
Running two or three soundcards simultaneously can greatly increase the power and flexibility of your PC but it can also lead to serious conflicts. Martin Walker leads you through the pitfalls.
Suffering from signal degradation or mains hum on your audio lines? The chances are that you're having problems with impedance matching or earth loops. However, with a little understanding and some careful planning, these gremlins can be successfully eliminated.
Price barriers continue to tumble in the soundcard market, as ESI Pro introduce an interface offering four analogue inputs and eight outputs, plus digital I/O, two mic preamps and 192kHz playback, for under £200.
As well as bringing 192kHz capability to the project-studio market, ESI Pro's new range of soundcards also features revolutionary drivers which allow the PC user new freedom to route audio between applications.
Why are CD recorders like buses? Paul White investigates.
TC-Helicon claim that their flagship vocal processor can make you sound like a totally different person. But how well does it work?
Emagic's stylish blue interface reliably squeezes two inputs and six outputs out of the limited bandwidth of USB.
Digidesign have given the most affordable interface in their Pro Tools range a makeover, with a new case, new preamps and some additional features.
Aimed primarily at guitarists who need audio interfacing and a keyboard, the KB37 seems to have a lot to offer for the price. We find out how it measures up.
Sorting digital gremlins and rogue reflections is all in a day's work for the Studio SOS team...
Focusrite take their Firewire interface range to a new level with the competitively priced Saffire Pro 26 I/O.