SOUND ON SOUND
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Tascam have long been one of the big guns in the mid-range recording mixer market. Now they enter the digital mixer arena with a desk aimed at music and post-production work. Hugh Robjohns runs his digits all over it.
If you want to get started with audio recording on your computer, but don't fancy opening up your PC to install an internal soundcard, the new USB Audio Canvas from Roland subsidiary Edirol may provide a welcome alternative. John Walden takes the UA100 for a test Drive.
Yamaha’s MOX range offers unusually tight integration with your DAW. Is this the way forward for synthesizer workstations?
Roland offer a downsized version of their flagship VS2480, providing all of the most important facilities at a much lower price point.
The guitar modelling revolution continues apace with M-Audio's latest interface.
Disk storage may well be the future of recording but, as Dave Shapton explains, it pays to be aware of some of the potential pitfalls before entrusting your precious original master recordings to such media.
With so much focus on computer workstations these days, wiring up analogue gear is becoming a bit of a lost art, but don't fear: all you need to know is here.
As ever, Creative Labs' latest PC soundcard promises a lot of features for £200. But does it deliver the kind of performance that musicians need?
Fostex enter the card-based multitracker market with a bang, offering eight tracks of uncompressed CD-quality audio from a single Compact Flash card.
CEDAR Audio's Series X units offer a trio of phenomenally powerful audio restoration tools in neat, stand-alone boxes with simple user interfaces. Hugh Robjohns cleans up..
The Realiser A8 is claimed to be able to capture the sound of any monitoring environment in the world and perfectly reproduce it through headphones. Could it be time to sell your speakers?
Mike Collins provides some early reflections on TC Electronic's latest reverb unit and effects processor.
Digidesign have forged a formidable reputation in the pro arena for their Pro Tools digital audio workstations. With the new Digi 001 system, they're hoping to capture a substantial slice of the project-studio market too. Debbie Poyser and Derek Johnson provide an exclusive hands on review.
A studio effects processor dedicated solely to providing digital delay is a rare thing in this age of all-singing, all-dancing multi-effects units. Paul White tries out TC Electronic's affordable D-Two.
Hugh Robjohns investigates a rugged new Minidisc recorder with a host of facilities for professional location recording.
Quality mic preamps, 24-bit/192kHz operation, timecode sync... Tascam's upwardly-mobile new recorder is going places.
TC Electronic have an enviable reputation for their high-quality digital effects processors, and have now launched the first of a new line of budget-conscious units. Hugh Robjohns checks out the M One.
With their latest monitor design, M-Audio are aiming higher than ever before. We put the EX66 to the test...
With even the cheapest soundcards now offering 24-bit, 192kHz recording, is it still worth investing in high-end converters? Lynx certainly think so...
Exceptional A-D and D-A conversion, digital audio interfacing in multiple formats, plus Firewire connectivity make this high-end workhorse something for any studio owner to aspire to.