
Inside Track: The Beastie Boys' 'Make Some Noise'
Feeling that something was missing from their latest album, the Beastie Boys decided it needed remixing — by a “crazy Frenchman”...
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Feeling that something was missing from their latest album, the Beastie Boys decided it needed remixing — by a “crazy Frenchman”...
How can you ensure that your library music hits the spot? What better way to find out than to ask the people who buy it!
Is there any reason not to combine, say, an M/S stereo mic pair with an additional spaced mic pair when recording things...
Getting the tonality of your mix right is one of the most challenging aspects of home mastering. Thankfully, ‘profiling EQ’ plug-ins can help.
Working with super–producer Jacquire King was a dream come true for James Bay. In a unique interview, King explains how he oversaw the recording of Bay’s hit debut album.
Clavia have considerable experience and expertise when it comes to designing stage keyboards. Is this the best one yet?
Have Nektar managed to bring something unique to the crowded MIDI controller keyboard marketplace?
Production music is rarely glamorous, but it can be very lucrative. In the first of a major new series, we explain how to get your foot in the door.
Pete Keppler’s career has seen him mix shows for some of the biggest artists in the world. We asked him how it all happened.
Channelling their shared love of ’50s kitsch, Kevin Kadish and Meghan Trainor created 2014’s most talked-about hit single — and turned Trainor into a superstar overnight.
Familiarity with a few common articulations is the key to successful MIDI string arranging.
Live performance is all well and good for the young and fearless, but not all hobbyists are made that way...
The ever growing number of video games on all platforms create new opportunities for composers – but how do...
Hailed as the first British acid house single, A Guy Called Gerald’s sublime ‘Voodoo Ray’ has since become a classic in its own right.
Roland’s Boutique range recreates three of the company’s classic synths at a fraction of the cost of the originals.
In 1985 John Lydon found himself in a New York studio with producer Bill Laswell and a group of session musicians. The result was to become one of PiL’s most recognisable tracks.
Turn your DAW’s aux sends into wet/dry blend controls that won’t raise the overall level of your signal.
Success in the library music world is partly about who you know — so get out there and get to know people!
Performed live and filmed in a single take, Justin Timberlake’s ‘Say Something’ is one of the most ambitious music videos ever made.