SOUND ON SOUND
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Backstage at a major festival in France, we caught up with the man who has been mixing one of the biggest names in punk for the last 14 years.
Performed live and filmed in a single take, Justin Timberlake’s ‘Say Something’ is one of the most ambitious music videos ever made.
Star producer Ariel Rechtshaid inhabits many different musical worlds at once. No wonder he’s busy...
The Mellotron is not lacking in software emulations, so what does EZkeys Mellotoon have to offer?
Is Hammond’s XK-5 the best lightweight ‘clonewheel’ organ money can buy?
Tommy Forrest is discovering mainstream success — without compromising the hardcore sample-mangling that has made Akira Kiteshi an underground hit.
Mix engineer David Wrench has the rare ability to bring discipline to experimental projects, without losing their leftfield qualities.
Jules Harding, SOS Video Media Editor, considers the effects of gear-lust.
Not satisfied with remaking their own classics, Korg engineers have recreated ARP’s legendary synthesizer, the Odyssey.
Recorded, mixed and co-produced by Greg Fidelman, Metallica’s Hardwired... To Self-Destruct has proved an unexpected career high point.
Behind every virtual band, there are real producers and engineers. In the case of Gorillaz, they were Anthony Khan and Stephen Sedgwick.
What do you get if you cross Frank Sinatra and Queen? Producer Jake Sinclair and mixer Claudius Mittendorfer helped Panic! At The Disco’s Brendon Urie find out...
This is far from being the first clone of a UREI 1176 FET compressor, but it's probably the cheapest to have hit the production lines. Is any of the classic sound sacrificed in Warm's cost-cutting quest?
In over 30 years in business, Miloco has developed from a small independent studio to a venture that is operating worldwide.
Recent NSA wiretap transcripts have uncovered a transatlantic telephone conversation which could have disastrous consequences.
Few have contributed as much to the technology behind rock & roll as Charlie Watkins and his company, WEM. We celebrate the life of one of audio’s great inventors.
Brass and horns ignite the fire at the heart of the orchestra.
Finnish company Soundion have revived the GEM brand to bring us a successor to the Promega 2 stage piano — the Promega 2+.
Propellerhead’s latest Reason update adds features you never knew you wanted — but which you might find indispensible.
The MPC has always been about its fast, hands-on interface — can a touchscreen make it even better?