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Fine-tuning level automation on key parts can make a huge difference to your mix, but it's a tedious process — unless a plug-in does it for you!
Classic, yet unashamedly modern, Neve's latest analogue console promises seamless integration with the software studio.
Paul Simon’s album So Beautiful Or So What is a dazzling return to form — and a return to working with production legend Phil Ramone.
One of the most influential jazz keyboardists ever, Herbie Hancock is renowned for his innovative use of electronics and new production techniques.
As its name suggests, the Nucleus is designed to be the core of your studio. It’s ambitious, but if anyone can pull it off, SSL can...
For the first time ever, Avid have made the full Pro Tools feature set available on native systems — and you don't even need one of their interfaces to run it!
Daft Punk spent four years and over a million dollars on their quest to revisit the golden age of record production. Mick Guzauski and Peter Franco were with them all the way.
Mark Isham resides at the top of Hollywood's film-music hierarchy, equally comfortable composing for orchestra as for a rack of samplers in his home studio. He marks time as an innovative genre-hopping artist and sought-after trumpeter too. Jonathan Miller finds out how he fits it all in...
With impressive new automation features and free mixer routing, have Steinberg taken their flagship audio application to the top of the class?
There's more to Prologue than its presets — and it doesn't take long to create some excellent and unique patches.
Logic's Hyper Editor is a powerful way of creating and manipulating MIDI data, but it's often overlooked. We give you the low-down in this advanced workshop, and suggest some ways of using the Hyper Editor in your music.
One of the most successful writer/producers of his generation shares his advice on getting the best from artists and forging a career in an uncertain music industry.
Propellerhead’s Reason gets its first dedicated MIDI keyboard and control surface. What can it offer that your mouse can’t?
Paul Tingen talks to Boris Blank, one half of idiosyncratic Swiss duo Yello, about the release of their 10th album, Zebra.
Steinberg’s new CMC Series gives you the building blocks for creating your own custom Cubase control surface.
Bob Clearmountain has been the worlds premier mix engineer for three decades — but Martin Scorsese still managed to challenge him with his ideas about how the Rolling Stones in concert should be presented.
In the UK exclusive on the 10th anniversary of Trevor Horn's ZTT label, Richard Buskin talks to this renowned producer, whose Midas touch has transformed artists as varied as Frankie Goes To Hollywood, ABC, Yes, the Pet Shop Boys, and most recently Seal.
From humble beginnings, Diane Warren has gone on to write hundreds of hit songs. Her secrets? Hard work, good titles... and no time wasted cleaning her writing room!
When legendary film composer Hans Zimmer asked us to help improve the acoustics in his temporary London studio, we were only too happy to oblige!