SOUND ON SOUND
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Is it ever appropriate to place a limiter on a routing folder for specific parts prior to them hitting the final mix bus?
Back in SOS July 2011, Mike Shipley said this about the producer Mutt Lange: “With Mutt, we always have programmable equalisers where we can EQ every word..."
David Bowie’s classic Ziggy Stardust album has been reinvented in three dimensions.
When it comes to setting the mood for creativity, ambient lighting and neon lights can make a world of difference...
Bloom promises to take the place of dynamic EQs and multi-band compressors, despite not doing either of those things.
As well as playing with some of the biggest names in the field, Andy La Rocque has turned his Sonic Train Studios into a metal Mecca.
Sourcerer is said to be capable of quickly targeting specific sounds and removing them without changing the characteristics of the wanted source.
Master Plan 1.5 sports a brand new look and introduces an additional EQ band, improved loudness metering and more.
Mastering Console combines the capabilities of Fiedler's Dolby Atmos Composer software with dedicated tools aimed at mastering and loudness measurement.
The latest addition to PSPaudioware’s extensive plug-in range has been designed to apply significant amounts of compression while avoiding the usual side-effects.
The latest processor to join Fuse Audio Labs’ software collection aims to offer something a little different that stands out from the crowd.
The UK's premier audio equipment show is returning to Tileyard London for its third year, and tickets are now on sale.
Amber 4 Ultra provides faithfully modelled emulations of Class A analogue units including pair of EQs, a compressor and a preamp.
Tascam shake up the digital console market with a powerful, all‑new design.
As well as gaining a pair of existing plug-ins, FX Collection 5 also includes two completely new offerings in the form of Bus PEAK and Bus EXCITER-104.
The latest version of Bitwig Studio is in public beta, with a full release expected to appear by summer 2024.
Gainlab’s channel strip delivers high‑quality valvetube preamplification and optical compression, along with some interesting tone‑shaping options.
Can it really be this quick and easy to tackle masking in your mix?
We’ve never had so much choice when it comes to the tools we use to make music — but it’s important that you can choose quickly, and with confidence.
Where better to reinvent the hits of Swedish pop titans Roxette in Dolby Atmos than Stockholm’s legendary Atlantis Studios?