SOUND ON SOUND
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With so many affordable, high-quality options around, there’s never been a better time to go wireless. We check out Sony’s latest offering.
The new Classic range from Danish company Remic aims to offer high‑end performance at an attractive price.
Though aimed squarely at the serious hi-fi market, this class-leading converter has plenty to offer in the studio.
Touring with Pink Floyd is not, as you might imagine, like a quick gig down the Bull and Gate. There's a tour budget of around £70 million, and the efforts of hundreds of people go into making each concert truly spectacular. In this exclusive, Mike Lethby talks backstage to some of the men who keep the Floyd on the road.
Danish mic legends DPA take their considerable mic-designing experience to the stage — with impressive results.
Find out how a professional VO artist kept his business afloat during a 12‑day ocean cruise!
Headphones are central to music-making and music listening. But can we trust what they’re telling us? We ask the experts...
Performed live and filmed in a single take, Justin Timberlake’s ‘Say Something’ is one of the most ambitious music videos ever made.
I wear custom-made earplugs when I go to live gigs, to protect my hearing. These have physical (and therefore passive) filters, but I find that their frequency response is less than ideal...
His quest to capture the spirit of Avebury led former Radiophonic Workshop composer Steve Marshall to develop some unique experimental recording techniques.
Rode’s new performance-oriented wireless set promises ease of use and robust performance.
Not everyone can play keys or guitar, so how about contolling virtual instruments with nothing but your voice?
In the world of live sound, the tablet revolution is much more than just hype: it really does have the potential to turn front-of-house mixing on its head.
The newest member of JBL's distinguished Eon family combines battery-powered portability with a 'grown-up' PA sound.
To showcase the band to promoters and festival bookers, singer‑songwriter Greg McDonald wanted to film an 'as live' main‑stage performance by the full band line‑up...
DJ, producer and remixer Dave Clarke meets a producer who’s been at the cutting edge of UK techno for more than 25 years.
With a record three Album of the Year nominations at this year’s Grammy Awards, mastering engineer Emily Lazar is at the forefront of her profession.
For this ambitious project, John Crossley had a full live band play through a 16-speaker system, to create an immersive performance.
2Box’s Speedlight kit takes an unconventional but flexible approach to electronic percussion.
Digital amp modelling has come a long way, but some guitarists still miss the ‘feel’ of a real amp on stage. Enter the Gemini 2.