
Roland VS880 & VS8F1
Hot on the heels of Fostex's DMT8 Roland's new VS880 offers another take on the affordable digital multitracker concept. But as Paul White discovers, beneath the apparent similarities lie significant differences...
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Hot on the heels of Fostex's DMT8 Roland's new VS880 offers another take on the affordable digital multitracker concept. But as Paul White discovers, beneath the apparent similarities lie significant differences...

With hardware almost becoming a 'taboo' word these days, David Mellor investigates what Digidesign's hardware-free recording software can offer the budget-conscious musician.

Come on down, Akai's new low-cost sampler! Astonishing value for money at a mere £999, the basic S2000 is expandable to a top-of-the-range spec by means of add-on cards. Paul White spins the (data) wheel of fortune to see whether Akai have played their cards right this time...

The ADI96 Pro is a 96kHz-capable analogue-to-digital converter featuring both mic and line inputs, as well as a whole host of onboard DSP functions. We check it out...

The array of choices which confronts anyone trying to buy a new PC can be bewildering. Fortunately, as Martin Walker explains, there are retailers out there who can eliminate the hassle and uncertainty.

The latest multitracker from Zoom is their most sophisticated yet, but can it see off its rivals in what is an extremely competitive marketplace?

Get the most from Roland's flagship recording workstation with this indispensible collection of power user tips.

Stephen Bennett chucks his trusty 8-track tape setup in favour of one of the new hard disk multitrack systems — but not before doing some thorough research. Here he reveals the factors that influenced his decision...

Many of the unwanted hums, clicks, and whirrs that compromise the performance of your computer studio are nothing to do with software. We take a look at what causes them, and how to banish them for good!

Three years ago Paul Wiffen concluded that Akai had brought the concept of the sampling drum machine up to date with the MPC2000. Now he takes a look at its successor to see how much more you get when you XL.

Yamaha's latest digital mixing console was by far the biggest crowd sensation at this year's APRS in London, taking many people by surprise with its low price and wealth of features. Dominic Hawken lends a listening ear to the first unit in the country.

Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?

The Vetta II amp range embodies the most sophisticated implementation of Line 6's guitar amp modelling technology to date. It delivers more amp models than the original Vetta, offers more user control of the sounds, and it also features an optional digital interface for use with the Variax Digital Modelling Guitar. Second opinion by former Be Bop Deluxe guitarist Bill Nelson.

Emagic's new baby is a bargain cross-platform hardware and software bundle which includes a useful new CD-mastering package for Mac users. Paul White finds out whether they've delivered the goods.

In these days of fast, flexible computers and powerful virtual instruments, has the hardware workstation synth had its day? Alesis's Fusion mounts the case for the defence, offering four synthesis types, sampling, sequencing and hard disk recording — for under £1000.

In Part 1, we saw how manufacturers realised that putting DSP effects on synths made for great sales. Subsequently, they twigged that it was also a good idea to let us take them off again (selectively), and route and adjust them ourselves.

Boss\'s range of digital multitrackers is designed to allow musicians to make recordings with a minimum of technical knowledge. The BR1600 is the most sophisticated yet, providing 16-track recording along with amp modelling, vocal harmony generation, and built-in drum machine and loop sequencer.

Tascam's new Digital Portastudio is the most affordable 24-track workstation on the market. In our exclusive hands-on review, we find out how easy it is to use, and whether its recording quality is as impressive as its track count.

We meet the reviewer's dream — a powerful synth that's versatile, easy to use, easy to edit and even demonstrates its own patches for you!

With almost 20 self-contained digital multitrackers on the market, either new or second-hand, it can be hard to decide which one is for you. Debbie Poyser & Derek Johnson discuss the options and round up the available models.