SOUND ON SOUND
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Is Bitwig Studio's fresh take on clip-based music production different enough to tempt users away from established rivals?
Portishead's long-awaited third album has been one of the artistic highlights of 2008. The band's unique blend of lo-fi and hi-fi, vintage and modern is reflected in their unique approach to recording.
Scott Walker’s career has taken him from pop stardom to high art. In a rare interview, he and producer Peter Walsh lay bare their unique approach to recording.
In Cubase 5, Steinberg introduced some powerful batch-export options, which have removed many project archiving and transfer frustrations.
Coldplay's recent album Viva La Vida was one of the most high-profile releases of the year, and an impressive showcase for Michael Brauer's unique approach to mixing.
Keyboard workstations have always been something of a Korg speciality, ever since they created the concept almost 20 years ago with the M1. Does their latest offering, the M3, live up to its pedigree?
Many bands record their own albums these days, but few achieve as much with as little gear as Stornoway.
Queens Of The Stone Age's fourth album Lullabies To Paralyze has cemented their position as the biggest and most exciting rock band in the world. Engineer and co-producer Joe Barresi describes the combination of old-school technique and far-out experiment that went into its making.
John Legend's silky, R&B-tinged sound has revitalised soul music. Mix engineer Tony Maserati explains how he crafted that sound for Legend's hit 'Save Room'.
This versatile compact synth takes the essence of its close cousin, the Alesis Micron, and adds a twist...
Not content with being one of the most celebrated DJs in the world, Armin Van Buuren has also had a string of club and chart hits. We asked him to talk us through the production of a top-notch trance anthem.
In mid-1984 Madonna arrived at New York City's Power Station studios with Nile Rodgers to record the album that would make her an international superstar - using cutting-edge 12-bit technology.
The Stone Roses seemed fit for world domination at the end of the '80s, but after releasing a successful debut album, they disappeared for nearly six years. Matt Bell talks to the producer of their new album, Simon Dawson, about his approach to recording the all-important follow-up.
The creation of Beyoncé’s album 4 involved 10 studios and almost 20 producers. The one constant, apart from the singer herself, was recording engineer DJ Swivel.
From their gear choices to their recording techniques, everything about Wild Beasts' approach to production is unconventional.
Glen Ballard was already a first-call songwriter and producer in LA — and that was before a young, unknown singer called Alanis Morissette walked into his studio...
All of my mixdowns start with a list of all the tracks involved, then each one is introduced and blended into the mix...
In 1956, Miles Davis was at Columbia Studios to record an album with the musicians who subsequently became known as his First Great Quintet. Engineer Frank Laico was at the controls...
When Seal decided to pay tribute to classic soul records on his album Soul, he turned to legendary producer David Foster — and his right-hand man, Jochem van der Saag, who was responsible for mixing and much more.
Protests against Catholicism have taken many forms, Martin Luther nailing his objections to the cathedral door, but the Pet Shop Boys chose to make theirs in disco...• Producer: Julian Mendelsohn • Engineers: Julian Mendelsohn, Stephen Hague