SOUND ON SOUND
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'Somebody That I Used To Know' is a worldwide hit that breaks every rule in the book. Artist Gotye and mix engineer François Tétaz reveal how they made it.
The 1975's chart-topping album is just one of a string of hit debuts engineered, mixed and produced by Mike Crossey.
He may be the East Coast's biggest name in hip-hop production, but DJ Premier still creates his tracks with an ancient Akai MPC60 and S950 sampler.
Britains biggest name in mixing, Mark Spike Stent has achieved international success in almost every genre. With Muses latest album, The Resistance, he was dealing with rock at its most epic.
This unique library brings the USA’s top marching brass band to a computer near you.
Conventional notation software often struggles to turn real MIDI performances into usable scores. ScoreCleaner applies artificial intelligence to the problem...
Korg's Legacy Collection recreates some of their best-loved keyboards in software form. It wasn't finished as we went to press at the end of March, but we managed to grab this sneak preview as the final touches were being applied... (Full in-depth hands-on Review next month.)
Now available at a greatly reduced price, Panasonic's video-capable still camera is well worth a look for low-cost HD video production.
Pioneering work in assistive technology is transforming the lives of people who are unable to play conventional musical instruments.
Smartphones and tablets are giving artists new ways to explore multimedia. Does the ‘album app’ have what it takes to rekindle music sales?
His family might be rock royalty, but Mark Ronson has had to carve out his own path in the music business. His work has paid off thanks to huge hits with Amy Winehouse and Lily Allen, and he's about to unleash one of the most surprising covers albums ever made.
With a stellar client list that now ranges from Sir Paul McCartney to AC/DC, Paul Boothroyd has risen to the top of the live sound industry.
The Chemical Brothers bring more gear on stage than most of us have in our studios. Matt Cox is the man who has to make sure it all works come showtime!
The Anglo-Australian strings library returns with a radical version 2 upgrade.
A fearless maverick who swears by the need to generate tension in the studio, Youth has made a name as one of the most creative producers to emerge from Britain in the last two decades.
The new Wavedrum costs a fraction of the price of its predecessor and remains a sonic force to be reckoned with.
Native Instruments bring you the classic drum sounds of Abbey Road, lovingly sampled at the studio itself.
Steve Greenwell knew he wanted a live feel for Joss Stone’s second album of soul covers, but finding the right mix was more of a challenge.
Cubase 8 combines powerful tools from Nuendo with new features such as VCA faders and the ability to render audio in place.
Queens Of The Stone Age's fourth album Lullabies To Paralyze has cemented their position as the biggest and most exciting rock band in the world. Engineer and co-producer Joe Barresi describes the combination of old-school technique and far-out experiment that went into its making.